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* Special Achievement Award (Sound Editing) - Alan Splet Actor in a Supporting Role - Mickey Rooney Film Editing - Robert Dalva
- Best Art Direction
- Honorary Award
- Medal of Commendation
- Scientific Or Technical Award
All That Jazz Philip Rosenberg [Art Direction], Tony Walton [Art Direction], Edward Stewart [Set Decoration] and Gary Brink [Set Decoration]
Alec Guinness Note: …for advancing the art of screen acting through a host of memorable and distinguished performances.Hal Elias Note: …for his dedication and distinguished service to the Academy of Motion Picture Arts and Sciences.John O. Aalberg Note: …in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.Charles G. Clarke Note: …in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.John G. Frayne Note: …in appreciation for outstanding service and dedication in upholding the high standards of the Academy of Motion Picture Arts and Sciences.Mark Serrurier Note: …for the progressive development of the Moviola from the 1924 invention of his father, Iwan Serrurier, to the present Series 20 sophisticated film editing equipment.
The nominees for the 52nd Academy Awards were announced on February 25, 1980, by Academy president Fay Kanin and actors Ed Asner and Yvette Mimieux. [5] All That Jazz and Kramer vs. Kramer tied for the most nominations, with nine each. [6] The winners were announced at the awards ceremony on April 14.
May 12, 2020 · If only one film met the 8.0 requirement or was so above and beyond its competitors, it would be awarded a Special Achievement Award. This occurred for Sound Editing in 1981 (“Raiders of the Lost Ark”), 1984 (“The River”), and 1987 (“RoboCop”).
Presenters Harold Russell, left, and Farah Fawcett with, Visual Effects winners from second from left: HR Geiger, Carlo Rambaldi, and Brian Johnson
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon ...
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SPECIAL ACHIEVEMENT AWARD (Sound Effects Editing) RoboCop – Stephen Flick, John Pospisil. 1986 (59th) SOUND EFFECTS EDITING. Aliens – Don Sharpe Star Trek IV: The Voyage Home – Mark Mangini Top Gun – Cecelia Hall, George Watters II. 1985 (58th) SOUND EFFECTS EDITING. Back to the Future – Charles L. Campbell, Robert Rutledge
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