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Mar 11, 2014 · Chris Hemsworth and Charlize Theron presenting Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro with the Oscar® for Sound Mixing for "Gravity" a...
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James McAvoy and Jessica Biel presenting Michael Minkler, Bob Beemer and Willie Burton the Oscar® for Sound Mixing for "Dreamgirls" at the 79th Academy Award...
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Mark Wahlberg and Ted presenting Andy Nelson, Mark Paterson and Simon Hayes with the Oscar® for Sound Mixing for "Les Misérables" at the 2013 Oscars®.
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- Mad Max: Fury Road (2015) How many different sounds can you identify in this scene? A more than deserved win for Gregg Rudloff, Chris Jenkins, and Ben Osmo.
- Dunkirk (2017) Dunkirk - Sound Mixing. Because war movies usually demand multiple sounds firing at the same time, the quality of the mixing is generally more noticed.
- Inception (2010) Inception - Oscar winner for Best Sound Mixing. The layered sounds of Inception are almost as complicated as the layered dream world in the film.
- The Matrix (1999) The Matrix - Bullet Dodge Sound Mixing. Sound team, John T. Reitz, Gregg Rudloff, David E. Campbell, and David Lee were the brains behind some of the best “bullet sounds” to ever hit Hollywood.
Mar 3, 2014 · Winner: Lupita Nyong'o - 12 Years a Slave. Sally Hawkins - Blue Jasmine. Jennifer Lawrence - American Hustle. Julia Roberts - August: Osage County. June Squibb - Nebraska. Supporting actress profiles.
Music (Original Song) - The Moon Song in "Her" Music by Karen O; Lyric by Karen O and Spike Jonze Best Picture - Megan Ellison, Spike Jonze and Vincent Landay, Producers Production Design - Production Design: K.K. Barrett; Set Decoration: Gene Serdena
People also ask
What is the Academy Award for Best Sound?
How do I get a Best Sound Award?
Which movie has the Best Sound Editing?
Who won first national studio sound department?
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]
