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  1. Mar 23, 2016 · Chadwick Boseman and Chris Evans presenting Chris Jenkins, Gregg Rudloff and Ben Osmo with the Oscar® for Sound Mixing for "Mad Max: Fury Road" at the 88th O...

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    • Oscars
  2. Sofia Boutella and Chris Evans present the Oscar® for Sound Mixing to Kevin O'Connell, Andy Wright, Robert Mackenzie and Peter Grace for "Hacksaw Ridge" at t...

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    • Oscars
  3. Oscar Isaac and Salma Hayek present Mark Taylor and Stuart Wilson with the Oscar for Best Sound Mixing for his work on “1917” at the 92nd Oscars in 2020.#Osc...

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    • Oscars
    • Mad Max: Fury Road (2015) How many different sounds can you identify in this scene? A more than deserved win for Gregg Rudloff, Chris Jenkins, and Ben Osmo.
    • Dunkirk (2017) Dunkirk - Sound Mixing. Because war movies usually demand multiple sounds firing at the same time, the quality of the mixing is generally more noticed.
    • Inception (2010) Inception - Oscar winner for Best Sound Mixing. The layered sounds of Inception are almost as complicated as the layered dream world in the film.
    • The Matrix (1999) The Matrix - Bullet Dodge Sound Mixing. Sound team, John T. Reitz, Gregg Rudloff, David E. Campbell, and David Lee were the brains behind some of the best “bullet sounds” to ever hit Hollywood.
  4. Martin Scorsese. Best Directing winner for The Departed, with presenters Francis Ford Coppola, George Lucas and Steven Spielberg. An Inconvenient Truth. Documentary Feature winner Davis Guggenheim with Al Gore, Lawrence Bender, Laurie David, Scott Burns and Lesley Chilcott. Jennifer Hudson.

  5. Academy Award For Best Sound Mixing. 1. Dreamgirls (2006) In the film “Dreamgirls” (2006), Jennifer Hudson delivers a stunning and unforgettable performance as Effie White, a talented singer who faces the challenges of love, fame, and personal growth. Hudson’s portrayal earned her critical acclaim and an Academy Award for Best Supporting ...

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  7. The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]