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Sound Editing - Alan Robert Murray and Bub Asman Sound Mixing - John Reitz, Dave Campbell, Gregg Rudloff and Walt Martin
Jan 30, 2020 · Supervising sound editor Don Sylvester and sound mixer David Giammarco walk us through their sound mixing process for Best Sound Editing Academy Award nominee ‘Ford v Ferrari.’. By taking a look at scenes from the film, they break down the layering of dialogue, music, and effects and how these three elements come together to give a film life.
- January 30, 2020
- Vanity Fair
- 14 min
- 607
- Mad Max: Fury Road (2015) How many different sounds can you identify in this scene? A more than deserved win for Gregg Rudloff, Chris Jenkins, and Ben Osmo.
- Dunkirk (2017) Dunkirk - Sound Mixing. Because war movies usually demand multiple sounds firing at the same time, the quality of the mixing is generally more noticed.
- Inception (2010) Inception - Oscar winner for Best Sound Mixing. The layered sounds of Inception are almost as complicated as the layered dream world in the film.
- The Matrix (1999) The Matrix - Bullet Dodge Sound Mixing. Sound team, John T. Reitz, Gregg Rudloff, David E. Campbell, and David Lee were the brains behind some of the best “bullet sounds” to ever hit Hollywood.
79th Academy Awards (2007) - Movies from 2006. Nominees - Best Sound Mixing. Sean McCormack, Kami Asgar ...
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.
Films that have been awarded Academy Award for Best Sound Mixing by the Academy of Motion Picture Arts and Sciences.
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The Academy Award for Best Sound Mixing is an Academy Award that recognizes the finest or most euphonic sound mixing or recording, and is generally awarded to the production sound mixers and re-recording mixers of the winning film.
