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Laurent Schérer, the younger of Maurice’s two sons, said that his father kept his family and his work apart (“I did not grow up as the son of a filmmaker”). A notable exception, blurring the line between identities: Rohmer invited Mme. Schérer’s advice about some editing cruxes in Full Moon in Paris and Summer.
Éric Rohmer. Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (French: [eʁik ʁomɛʁ]; 21 March 1920 [a] – 11 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. Rohmer was the last of the post-World War II French New Wave directors to become established.
The Cinema of Eric Rohmer combines history and criticism, and offers in-depth analysis of the themes and ideas in each of Rohmer’s twenty-three films, illustrating the complexity of their cinematic style and their non-stop engagement with reality, providing a timely rebuttal to Harry Moseby.
Eric Rohmer (born Jean-Marie Maurice Scherer, April 4, 1920 - January 11, 2010) was a screenwriter and director and a key figure in French New Wave cinema. He began writing film criticism in the late 1940’s and was, for some years, the editor of Cahiers du Cinema.
With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne’s Career, the second of Eric Rohmer’s Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance.
May 16, 2023 · In place of the rapid-fire scene cuts, extreme close-ups and structural innovation embraced by the French New Wave, Rohmer’s films are characterized by long, locked-off frames and slow tracking shots of people walking through sunny towns, cities and countryside. The films radiate a quiet beauty.
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Jan 12, 2015 · Eric Rohmer’s 1962 Sight and Sound ballot BFI National Archive. There’s something endlessly fascinating about the favourite films of great directors, for the ways in which the choices can be seen to have overlapped, inspired or entirely contrasted with the filmmaker’s own work.
