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So Mainstream Jazz had to somehow find a way to respond to the avant-garde – and this response was a genre called Post-bop. This subgenre mixes elements of Bebop, Hard-bop, Modal and Free Jazz without necessarily being any one of these style.
Post Bop grew out of the Hard Bop genre during the early to mid 60s as musicians such as Bill Evans, Wayne Shorter, and Herbie Hancock began to introduce more extended harmonies, abstract structures and looser rhythms in their playing and compositions.
Do you want to know more about Western classical music? Explore selected topics and key works in Medieval to (early) Baroque music on this informative 10-week course. Ideal for people with no specialist knowledge. NB: Break week: 31 Oct 2024. This course will be delivered online.
Aug 3, 2020 · But the analogy between the harmonic practices in 1960s postbop and nineteenth-century Western art music does productively spotlight how cyclic patterns of root motion can erode—and ultimately substitute for—functional monotonality on various levels of musical structure in both repertoires.
Jun 7, 2021 · The post-bop style of modern jazz was the mainstream jazz scene's response to the free jazz and avant-garde jazz movements.
Learn to use and understand advanced jazz harmony! This book reveals the post-bop jazz innovations established by such iconic jazz artists as John Coltrane, Wayne Shorter, Clare Fischer, Herbie Hancock, and Chick Corea, as taught at Berklee College of Music.
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Feb 24, 1994 · Hard bop was a brand of post bebop jazz that enveloped many of the most talented American musicians in the period between 1955 and 1956. These were years unrivalled in jazz history for the number of musically brilliant records issued—including Art Blakey's Ugetsu, Miles Davis's Kind of Blue, Thelonius Monk's Brilliant Corners, and Sonny ...
