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Most of The Awful Truth was improvised on the set. [9] McCarey had two guides for directing the film. The first was that he believed the film was the "story of my life", [80] because McCarey based many scenes and comic moments on misunderstandings he had had with his own wife (although they never accused one another of infidelity). [83]
As critic Dave Kehr astutely describes The Awful Truth, “Leo McCarey's largely improvised 1937 film is one of the funniest of the screwball comedies, and also one of the most serious at heart.
Jun 27, 2023 · In this article, we delve deeper into the movie and uncover 43 intriguing facts about its making, the cast and crew, and its enduring legacy. From behind-the-scenes anecdotes to the impact it had on future romantic comedies, get ready to discover fascinating details about this timeless film.
Mar 13, 2011 · The Awful Truth proves both adult in its insinuating sense-of-humour, and distinctively verbal in its comedic orientation – despite a pair of memorable pratfalls that reconfirm Grant’s acrobatic aptitude.
- Michael J. Anderson
Although Grant tried to leave the production due to McCarey's directorial style, The Awful Truth saw his emergence as an A-list star and proponent of on-the-set improvisation. Why It's Not Awful For the film, McCarey retained the basics of the original play, which centered around an estranged husband’s doubts over his wife's relationship with ...
Jan 21, 2011 · Made in 1937, “The Awful Truth” is one of the gems of this, for lack of a better term, sub-genre. Nominated for Best Picture, Leo McCarey managed to snag the Best Director award though the film lost to the more “important” and “esteemed” winner, “The Life of Emile Zola.”
Apr 7, 2011 · The Awful Truth is an exceptionally good Cary Grant and Irene Dunne screwball classic, for which director, Leo McCarey received an Oscar as Best Director of 1937. Made at the height of the by-gone genre’s popularity, the film is a more sophisticated example of the sometimes-silly comedy style expertly executed in the much beloved and greater ...
