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1983 Canadian science fiction body horror film
- Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry.
en.wikipedia.org/wiki/Videodrome
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Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films.
Jun 1, 2024 · Videodrome is a mind-bending science fiction film directed by the renowned Canadian filmmaker David Cronenberg. The movie was released in 1983. Videodrome made its debut in 1983, captivating audiences with its dark and thought-provoking storyline.
Feb 2, 2023 · After a breakthrough hit with the science fiction ultraviolence of “ Scanners ,” David Cronenberg ’s last Canadian tax shelter film “Videodrome” dropped with a whimper in 1983, under-served by distributors unnerved by its transgressive images and genre-busting approach.
Jul 20, 2020 · No other science fiction film has made its dissection quite like David Cronenberg’s Videodrome. At turns, both bafflingly obtuse and crystalline clear, the 1983 film reads like a cataloguing and rag-tag synthesis of various ideas on where technology was taking us – touching on everything from hyperconnected utopianism, mass media mind ...
Dec 3, 2012 · But if that film’s relatively straightforward sci-fi thriller plot and joyfully explosive violence led some to assume that Cronenberg was shuffling towards the mainstream, Videodrome would ...
With groundbreaking special effects makeup by Academy Award®-winner Rick Baker, Videodrome has come to be regarded as one of the most influential and mind-bending science fiction films of the 1980s. Sleazy lowlife cable TV operator Max Renn discovers a snuff broadcast called "Videodrome."
Feb 3, 2023 · In 1983, David Cronenberg released his magnum opus, Videodrome, a transgressive masterpiece that gazes through television screens at humanity’s infatuation with its own depravity… and manages...
