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    • Primarily played baritone saxophone

      • Leo Parker (April 18, 1925 – February 11, 1962) was an American jazz musician, who primarily played baritone saxophone. Parker was the earliest baritone saxophonist to play bebop.
      www.wikiwand.com/en/articles/Leo_Parker
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  2. en.wikipedia.org › wiki › Leo_ParkerLeo Parker - Wikipedia

    Leo Parker (April 18, 1925 – February 11, 1962) [1] was an American jazz musician, who primarily played baritone saxophone. Parker was the earliest baritone saxophonist to play bebop. [2]

  3. jazzbarisax.com › baritone-saxophonists › bop-styleLeo Parker - JazzBariSax.com

    Leo Parker was the proud owner of a big, beefy baritone sax tone and a fluent technique that struck a great match between the gritty, down-home feeling of R&B and the advanced harmonies of bebop.

  4. Jul 14, 2024 · Leo Parker is one of the most under-recorded and under-appreciated baritone saxophonists of the bebop era. Like many jazz musicians in the late 1940s and early '50s, Parker succumbed to drug addiction and recorded far too little as a leader.

  5. Leo Parker was the proud owner of a big, beefy baritone sax tone and a fluent technique that struck a great match between the gritty, down-home feeling of R&B and the advanced harmonies of bebop. At first, he studied alto in high school, even recording with Coleman Hawkins’ early bebop band at age 18 on that instrument in 1944.

  6. leoparkermusic.comLeo Parker

    Leo Parker’s baritone style combined the sonic might of Harry Carney, the bebop sensibility of Charlie Parker and the rhythmic excitement of Illinois Jacquet. He successfully synthesized these influences, and others, to become one of jazz’s greatest baritone saxophonists.

  7. May 6, 2022 · When Dizzy Gillespie came back from California in the winter of 1946 without Charlie Parker, he opened at the Spotlite on 52nd Street with Ray Brown, Milt Jackson, Al Haig, Stan Levey, and Leo Parker, no kin to Charlie, on baritone saxophone.

  8. Jan 30, 2022 · Leo Parker’s acclaim as a baritone saxophonist has been hampered by his relative lack of output as a bandleader. He recorded two albums for the Blue Note label in 1961. The second of these, Rollin’ With Leo, was further held back by the label and only released in 1980.