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  2. King, in the Notes section in Skeleton Crew, says The Mist was inspired by a real-life experience, when a massive thunderstorm much like the one that opens the story occurred where King lived at the time. The day after the storm, he went to a local supermarket with his son.

  3. The Mist (also known as Stephen King's The Mist) is a 2007 American science fiction horror film directed, written, and co-produced by Frank Darabont. Based on the 1980 novella of the same name by Stephen King , the film stars an ensemble cast of Thomas Jane , Marcia Gay Harden , Laurie Holden , Andre Braugher and Toby Jones .

    • The story was inspired by a trip to a grocery store. The story of The Mist dates all the way back to 1976, when King was trying to think of a short story to contribute to an upcoming anthology called Dark Forces.
    • It’s part of a very long creative relationship between Stephen King and Frank Darabont. Though King and Darabont’s most famous collaboration is probably 1994’s The Shawshank Redemption, their professional relationship actually goes back much further.
    • It was almost Darabont’s first feature film. After making “The Woman in the Room” into a short film, Darabont began establishing himself in Hollywood as a screenwriter, working on horror films like A Nightmare on Elm Street 3: Dream Warriors (1987), The Blob (1988), and The Fly II (1989).
    • King held the rights for Darabont for years. Though Darabont ultimately decided to adapt The Shawshank Redemption, and later The Green Mile, he kept holding onto The Mist as a project he’d like to do one day.
    • How The Movie Ends
    • How The Book Ended
    • Why They Changed It
    • What King Thought of The Ending
    • Which Ending Was Better?

    After spending almost the whole movie cooped up in the supermarket, hiding from the creatures that make their home in The Mist, Thomas Jane's David Drayton leaves the safety of the building with a select group of people, in order to drive into the mist. The surviving party members find themselves stranded on the road, as the car they took runs out ...

    The novella The Mist ends pretty similar to the movie, with a daring escape being made by David, his son, and two others. What follows is a longer driving sequence that hits upon the heavily implied death of David's wife, and sees the crew making their way to a Howard Johnson's hotel near the state border. As he finishes writing the pages explainin...

    There was one big force behind changing the ending to The Mist for the theatrical adaptation, and it was Frank Darabont himself. When talking about the new conclusion in an interview, Stephen Kingexplained how this came to be. When making The Mist in an era that saw the worldwide public dealing with the brutal realities of ongoing war and terrorism...

    Needless to say, Stephen King is one of the biggest fans of the ending to The Mist's film adaptation, and that's not information that's new. While the previous quote about his approval of the ending came as early as a couple months ago, King was still cheerleading for the film's nihilist conclusion when the film was first released into the world. H...

    For hardcore Stephen King fans, picking a favorite ending to The Mist must is like Sophie's choice. But, taking both into consideration for their individual merits, there's some good points to be made. The ending to The Mistin novella form speaks to the dogged determination of our species. It's a hopeful ending that says we can make it, if only we ...

  4. Nov 23, 2022 · As you said, Stephen King's story didn't need it, so where did the mist come from? Who knows? And we actually get a pretty good explanation from Sam Witwer, another actor who I loved working with...

    • Eric Vespe
  5. Dec 30, 2023 · But in an interview with Hans-Åke Lilja, as collected in The Stephen King Companion, Frank Darabont shared the real story behind where the ending came from, citing the novella’s own text as the...

  6. Gorillas in the Mist [a] is a 1988 American biographical drama film directed by Michael Apted from a screenplay by Anna Hamilton Phelan and a story by Phelan and Tab Murphy. The film is based on a book of the same name by Dian Fossey and the article by Harold T. P. Hayes.

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