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Jun 14, 2016 · Iain Reid has written, in my humble opinion, a masterclass in unsettling the reader without them being able to put their finger on why exactly. It has a surreal, emotional and deeply disturbing vibe that starts on the first page then builds to a crescendo of turmoil at the end followed by a "Wait.
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Dec 5, 2016 · Although Reid’s technique is not overtly Surrealist, his ability to selectively shift, blur, and then obliterate the line between literal and figurative borders on the Lynchian: given the road-trip set-up, a good alternate title could have been Lost Highway.
Aug 8, 2018 · Iain Reid: There definitely is that underlying current of isolation [in I'm Thinking of Ending Things] and it’s here as well. It does change a little bit for Foe, as you said, as the isolation here involves things that are familiar for the characters.
Jun 12, 2016 · Iain Reid has written a creepy but enthralling new novel, "I'm Thinking of Ending Things." It's a psychological thriller that keeps readers guessing. Host Linda Wertheimer talks with the...
But it is an unsettling, challenging story about ideas that, for me, are quite personal.” Another aspect of the work that signals a departure – and an element of Reid pushing himself out of his comfort zone – is the novel’s point-of-view: the first-person perspective of the Girlfriend.
Jun 15, 2016 · This work is a stark departure from his two previous critically acclaimed memoirs. I spoke with Iain Reid about the move to fiction, finding a balance between wanting to be alone and being lonely, and the quest to find the answers.
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Sep 27, 2022 · Is she succumbing to the subtly destructive effects of aging, or is she an unknowing participant in something more unsettling? At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s genre-defying third novel explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.
