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The Divine Invasion is a 1981 science fantasy novel by American writer Philip K. Dick. It is the second book in the gnostic VALIS trilogy, and takes place in the indeterminate future, perhaps a century or more after VALIS. The novel, originally titled Valis Regained, was nominated to the BSFA Award.
- Philip K. Dick
- 1981
Jun 1, 1981 · The Divine Invasion. Philip K. Dick. 3.82. 8,954 ratings534 reviews. In The Divine Invasion, Philip K. Dick asks: What if God — or a being called Yah — were alive and in exile on a distant planet? How could a second coming succeed against the high technology and finely tuned rationalized evil of the modern police state?
- (8.9K)
- Paperback
In two weeks in March 1980 ending on the 22nd, Philip K. Dick wrote VALIS REGAINED. Although it is possible that the outline was done by March 14th and the novel completed in May and June 1980. VALIS REGAINED was published as THE DIVINE INVASION by Simon & Schuster in June 1981. PKD s editor on the novel was David G. Hartwell at Simon & Schuster.
The Divine Invasion is an epic story about the battle between the forces of good and evil ripe with religious symbolism. Written in 1980, near the end of his life, this novel was originally conceived as a sequel to Valis. It deals with many of the same issues Dick addressed in Valis but places them in a very different context.
of his novels. For The Divine Invasion is Dick’s attempt to sum up or unify his body of work by shifting emphasis from the thematic to the aesthetic and the artful. It is not difficult to find in The Divine Invasion examples of Dick explicitly returning to and touching on familiar themes and tropes. Indeed, in its very VALISThe Divine ...
As the middle novel of Dick’s VALIS trilogy, The Divine Invasion plays a pivotal role in answering the questions raised by the first novel, expanding that world while exploring just how much...
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Jun 12, 2023 · Written near the very end of his life, the book is an interweaving of Dick’s final meditations on metaphysics, spirituality, and theology with some of his earlier narrative motifs. This is how the goat-creature sees God’s total artifact, the world that God pronounced as good.
