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The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture.
- Overview
- 1920s and 1930s
- 1940s and 1950s
- 1960s and 1970s
- 1980s and 1990s
- 2000s and 2010s
- 2020s
award presented annually by the Academy of Motion Picture Arts and Sciences, located in Beverly Hills, California. It honors outstanding achievement by a cinematographer in a movie from a given year, as determined by the academy’s voting members.
At the inaugural Academy Awards ceremony, in 1929, the award recognized the work in films released from August 1, 1927, to August 1, 1928. The next 5 ceremonies honored work in films released from August to July. Beginning with the 7th ceremony (1935), only work in movies released the previous calendar year was eligible for consideration. In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography. The winning cinematographers are given a gold-plated statuette known as an Oscar.
•1927–28: Charles Rosher and Karl Struss (Sunrise)
•1928–29: Clyde De Vinna (White Shadows in the South Seas)
•1929–30: Joseph T. Rucker and Willard Van Der Veer (With Byrd at the South Pole)
•1930–31: Floyd Crosby (Tabu)
•1931–32: Lee Garmes (Shanghai Express)
•1932–33: Charles Bryant Lang, Jr. (A Farewell to Arms)
•1940: Black-and-White: George Barnes (Rebecca); Color: Georges Périnal (The Thief of Bagdad)
•1941: Black-and-White: Arthur Miller (How Green Was My Valley); Color: Ernest Palmer and Ray Rennahan (Blood and Sand)
•1942: Black-and-White: Joseph Ruttenberg (Mrs. Miniver); Color: Leon Shamroy (The Black Swan)
•1943: Black-and-White: Arthur Miller (The Song of Bernadette); Color: Hal Mohr and W. Howard Greene (Phantom of the Opera)
•1944: Black-and-White: Joseph LaShelle (Laura); Color: Leon Shamroy (Wilson)
•1945: Black-and-White: Harry Stradling (The Picture of Dorian Gray); Color: Leon Shamroy (Leave Her to Heaven)
•1960: Black-and-White: Freddie Francis (Sons and Lovers); Color: Russell Metty (Spartacus)
•1961: Black-and-White: Eugen Shuftan (The Hustler); Color: Daniel L. Fapp (West Side Story)
•1962: Black-and-White: Jean Bourgoin and Walter Wottitz (The Longest Day); Color: Freddie Young (Lawrence of Arabia)
•1963: Black-and-White: James Wong Howe (Hud); Color: Leon Shamroy (Cleopatra)
•1964: Black-and-White: Walter Lassally (Zorba the Greek); Color: Harry Stradling (My Fair Lady)
•1965: Black-and-White: Ernest Laszlo (Ship of Fools); Color: Freddie Young (Doctor Zhivago)
•1980: Geoffrey Unsworth and Ghislain Cloquet (Tess)
•1981: Vittorio Storaro (Reds)
•1982: Billie Williams and Ronnie Taylor (Gandhi)
•1983: Sven Nykvist (Fanny & Alexander)
•1984: Chris Menges (The Killing Fields)
•1985: David Watkin (Out of Africa)
•2000: Peter Pau (Crouching Tiger, Hidden Dragon)
•2001: Andrew Lesnie (The Lord of the Rings: The Fellowship of the Ring)
•2002: Conrad L. Hall (Road to Perdition)
•2003: Russell Boyd (Master and Commander: The Far Side of the World)
•2004: Robert Richardson (The Aviator)
•2005: Dion Beebe (Memoirs of a Geisha)
- The Editors of Encyclopaedia Britannica
Mar 28, 2021 · By Sam Kench on March 28, 2021. Major Awards: Writing & Visual: Animation & Production: The Academy Award for best cinematography is one of the most prestigious honors bestowed each year at the Oscars.
2 days ago · Take a look at the movies and filmmakers that have won the Academy Award for Best Cinematography over the past 25 years and big scenes and moments immediately fill the mind’s eye: Saving...
Apr 19, 2024 · The Oscar for Best Cinematography is an award presented annually by the Academy of Motion Picture Arts and Sciences to recognize exceptional achievements in the art and craft of cinematography.
These are all the movies that won the Oscar for Best Cinematography. The cinematographers that won the Oscar are listed in the description. From 1939 to 1966, the category was split into two with one being for movies that were in Black-and-White and the other being for movies that were in Color.
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Nov 29, 2019 · Since the very first Oscars ceremony, the Academy Award for Best Cinematography has represented the highest achievement for cinematographers. Over the decades, the rules for the cinematography category have largely remained the same.