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- Though complexly drawn and sympathetic, each character features traits that are often stereotyped based on race, class, and gender. As the private dramas of each character converge in the theater where they work, The Flick spotlights the performative quality of these stereotypes, which are acted out much like roles in a film.
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The three main characters of The Flick are Sam, a white man in his mid-thirties who wears a Red Sox cap and lives at home with his parents; Rose, a young female projectionist with dyed green hair and baggy clothes who is taking a break from college; and Avery, a black, bespectacled student who is also taking a break from the same college and ...
The Flick Summary & Study Guide includes detailed chapter summaries and analysis, quotes, character descriptions, themes, and more.
"The Flick" captures the workplace relationships of three underpaid movie theater employees, each struggling to carve out their purpose and identity within demeaning jobs. Similarly, "Lab Girl" provides a poignant summary of Jahren's journey as a female scientist navigating the challenges and triumphs in a male-dominated field.
Annie Baker's drama unfolds in unhurried naturalistic scenes (much to the frustration of some early audiences at the New York premiere), and her astonishingly well observed and subtle characterizations suggest a Chekhovian ability to forge compelling drama from the littleness of everyday life.
Plot Summary. The plot follows the protagonists as they negotiate their personal and professional lives while dealing with modern-day reality and the changing nature of the film industry. Sam, a theater usher, opens the show by training new employee Avery.
The Flick is set in a run down movie palace near Worcester, Massachusetts and follows three underpaid movie ushers, Avery, Sam and Rose (who also runs the film projector), who do the humdrum and tedious labor necessary for keeping it running, including toiling to clean spilled soda from the floors.
As the only female employee we see in The Flick, Rose stands in for issues related to gender, sex, and female objectification, both unconsciously, as the object of Sam’s desire, and consciously, by expressing her internalized fantasy wherein she “looks so amazing” (95).
