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SPECIAL EFFECTS. When Worlds Collide – Paramount. 1950 (23rd) SPECIAL EFFECTS. Destination Moon – George Pal Productions Samson and Delilah – Cecil B. DeMille Productions. 1940s 1949 (22nd) SPECIAL EFFECTS. Mighty Joe Young – ARKO Productions Tulsa – Walter Wanger Pictures. 1948 (21st) SPECIAL EFFECTS
The following year, "Best Special Effects" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two or more films. From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one or the other type of effect was recognized.
The 22nd Academy Awards | 1950. Honoring movies released in 1949, RKO Pantages Theatre ... Special Effects - Walter Wanger Pictures
- The Cyclops - The 7th Voyage of Sinbad
- Robby The Robot - Forbidden Planet
- Ymir - 20 Million Miles to Earth
- The Martians - The War of The Worlds
- Destruction - When Worlds Collide
- Gort - The Day The Earth Stood Still
- The Squid - 20,000 Leagues Under The Sea
- The Gill-Man - Creature from The Black Lagoon
- Godzilla - Gojira
- The Parting of The Red Sea - The Ten Commandments
The 7th Voyage of Sinbad was the first of three Sinbad films featuring effects work by Ray Harryhausen, and the most impressive of the film's practical effects accomplishments has to be the cyclops. With a horn and goat legs, the memorable design went against the standard depiction of the mythical creature. More impressive yet is how Harryhausen wo...
One of the more recognizable creations on the list, Robby the Robot comes from the 1956 film Forbidden Planet. He has gone on to see himself referenced in numerous pop-culture classics throughout the years, such as Gremlins (1984). While Robby looks a little silly by today's standards, he has a real personality and even contributes to the narrative...
All of special-effects-guru Ray Harryhausen's work in the 1950s was impressive, but Ymir was the standout. With fluid movement and a malevolent appearance, this stop-motion creation was perfect for the 20 Million Miles to Earth (1957) theatrical poster. When a manned flight crashes back to Earth from Venus, some mysterious reptilian eggs, a find fr...
Before some of cinema's deadliest Martian invaders made a big impression in Steven Spielberg's 2005 War of the Worlds, they took on a similar form in this 1953 classic. No one aspect of the Martian force looks better than the rest. While the creature itself isn't revealed until late in the film, it's unique and shocking. RELATED: Ways The 1953 Vers...
When Worlds Collide saw its special effects given their due at the 24th Academy Awards. While the effects don't always hold up, they are intermittently startling. As the world's destruction nears, a series of natural disasters start occurring in unison. The film's depiction of the various earthquakes and volcanic eruptions looks terrific even in mo...
Gort, the robot from 1951's The Day the Earth Stood Still, has gone on to be a pop culture icon in his own right. While Gort's appearance is intimidating, the robot is used to subvert genre tropes. Gort doesn't shoot a laser beam from his head. Rather, he's a benevolent source of healing. A humanoid alien arrives on earth to warn of humanity's usag...
This adaptation of Jules Verne's novel was widely lauded for its special effects and art direction. Chief among the special-effects-driven sequences was Captain Nemo's climactic battle with the giant squid. Even today, it looks just as good as any comparable CGI beast. The plot follows harpooneer Ned Land as he and the mysterious Captain Nemo hunt ...
1954 gave the world three very impressive cinematic monsters, and the Gill-man stands at the middle of the pack. The last of the original Universal Monsters, the detailed costume work in Creature from the Black Lagoon made the titular Creature iconic. The wet, scaly design is aided immensely by the black-and-white cinematography as well as the allu...
BeforeGodzilla was the subject of memes and fights against King Kong, he was an allegory. Japan's cinematic reaction to Hiroshima and Nagasaki, the monster's initial appearance in Gojirais still one of his most visually impressive. The design for Godzilla has changed quite a bit over the years, but there's an argument to be made that Toho got it ri...
An epic in every sense of this word, this Technicolor Charlton Heston classic was renowned for many reasons. The biblical adaptation received seven Academy Award nominations, with one of them being Best Picture. In the end, The Ten Commandmentswon the Academy Award for Best Visual Effects. While the film as a whole is gorgeous, the parting of the R...
- Ben Hathaway
The 22nd Academy Awards were held on March 23, 1950, at the RKO Pantages Theatre, honoring the films in 1949. This was the final year in which all five Best Picture nominees were in Black & White, and the first year in which every film nominated for Best Picture won multiple Oscars. All the King's Men became the first of two films to date to ...
Best Motion PictureBest DirectorAll the King's Men – Robert Rossen for ...Joseph L. Mankiewicz – A Letter to Three ...Broderick Crawford – All the King's Men ...Olivia de Havilland – The Heiress as ...Dean Jagger – Twelve O'Clock High as ...Mercedes McCambridge – All the King's Men ...A Letter to Three Wives – Joseph L.Battleground – Robert Pirosh ‡ Jolson ...This was the winner of an Honorary Academy Award for Best Achievement in Special Effects. This sci-fi disaster film, typical of 50's apocalyptic, doomsday disaster films, was producer George Pal's follow-up film to Destination Moon (1950) - with a mediocre story that had spectacular special effects.
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Terminator 2: Judgment Day. The Thief of Bagdad (1940 film) Thirty Seconds Over Tokyo. Thunderball (film) The Time Machine (1960 film) Titanic (1997 film) Tom Thumb (film) Tora!
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