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Thomas N. Morahan. Thomas N. Morahan (29 June 1906 – 1969) was a British film designer nominated for an Oscar for the film Sons and Lovers (1960). Born Thomas Hugo Morahan, he was the son of sculptor and carver Michael Joseph Morahan (1877–1939). His own son was director and producer Christopher Morahan (1929–2017).
Thomas N. Morahan. Production Designer: Sons and Lovers. Thomas N. Morahan was born on 29 June 1906 in London, England, UK. He was an art director and production designer, known for Sons and Lovers (1960), Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965) and The Third Key (1956).
- Art Director, Production Designer, Producer
- June 29, 1906
- Thomas N. Morahan
Politician. Thomas P. Morahan (October 11, 1931 – July 12, 2010) was a member of the New York State Senate, for the 38th district covering all of Rockland County and parts of Orange County, New York. He was first elected in a special election in 1999. Morahan, after winning the November 4th elections, was serving his sixth term at the time of ...
Thomas N. Morahan Explained. Thomas N. Morahan (29 June 1906 – 1969) was a British film designer nominated for an Oscar for the film Sons and Lovers (1960). Born Thomas Hugo Morahan, he was the son of sculptor and carver Michael Joseph Morahan (1877–1939). His own son was director and producer Christopher Morahan (1929–2017).
Genealogy. born Thomas Hugo Morahan 29/Jun/1906 in Southfields, Surrey, England. son of sculptor and carver Michael Joseph Morahan (1877–1939) and Emily Mary (1876–1934) née McSwiney. brother of Dorothy (1899–1980), Kathleen (1901–1994), Michael James (1902–1976), Bernard Joseph Burke (1904–1989), Dermot (1908–1989) and Margaret ...
Thomas N. Morahan (29 June 1906 – 1969) was a British film designer nominated for an Oscar for the film Sons and Lovers (1960). Born Thomas Hugo Morahan, he was the son of sculptor and carver Michael Joseph Morahan (1877–1939). His own son was director and producer Christopher Morahan (1929–2017).
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As Mr. Morahan's aim was, as he put it, "to get the spirit of Cornwall as it was 100 years ago on the screen," he had to resort to the film technician's tricks of the trade. This involved several trips to Cornwall, when hundreds of photographs of Cornish architecture and scenery were taken; and extensive research, in the course of which' such books as "The story of Cornwall," "Cornish wrecks ...
