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Magda Cordell McHale (née Lustigova; June 24, 1921 – February 21, 2008) was a Hungarian artist, futurist, and educator. She was a founding member of the Independent Group which was a British movement that originated Pop Art which grew out of a fascination with American mass culture and post-WWII technologies.
Magda Cordell McHale (née Lustigova; June 24, 1921 – February 21, 2008) was a Hungarian artist, futurist, and educator. She was a founding member of the Independent Group which was a British movement that originated Pop Art which grew out of a fascination with American mass culture and post-WWII technologies. Later, she was a faculty member ...
Mar 17, 2008 · Magda Cordell McHale, an artist who was one of the founding members of the Independent Group in London in the early 1950s and later became a renowned sociologist and writer in the field of ...
Artists. Magda Cordell McHale. 1921–2008. Hungarian, British, American. Summary. Artist producing abstract and figurative work, born in Hungary, also known as Magda Cordell. She had moved to London after World War II and by the mid-1950s was established as an exhibiting painter. After being the wife of the musical director of EMI, Frank ...
Cordell later married John McHale and they both moved to America in 1961. Cordell was created Professor Emeritus, University of Buffalo, USA, and a Fellow of the World Academy of Art and Science and her work is held in several major public collections, including the Tate Gallery, London and Albright-Knox, Buffalo, New York.
- British
Solo Exhibitions 1961 Last exhibition of Cordell, ICA, London, UK 1959 University at Buffalo, NY, USA 1956 Paintings and Drawings by Magda Cordell at Hanover Gallery, London, UK 1955 McHale showcased her monotypes and collages at the Institute of Contemporary Arts(ICA), London, UK Group Exhibitions 2016 This is Today, Gazelli...
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Magda Cordell McHale, No. 12(detail), 1960, unconirmed medium (mixed materials on canvas), 152.4 × 101.6 cm. Tate, London Digital image courtesy of Tate, London 2015 More so than the Figures, whose labyrinthine tangles of paint sometimes look lattened by the pressure of a rolling weight, the Presences emerge out of the pictorial frame in relief.
