Yahoo Web Search

Search results

  1. Jeanine Durning is a choreographer, performer, and teacher based in New York. Her work has been presented in Amsterdam, Berlin, Zagreb, Toronto, and across the US. Performance work. A Good Man Falls (2002) Part One Parting (2004) half URGE (2004) out of the kennel into a home (2006) Ex-Memory: waywewere (2009) inging (2010)

  2. Jeanine Durning is an Alpert Award winning choreographer and performer from New York whose work has been described by The New Yorker as having both “the potential for philosophical revelation and theatrical disaster.”

  3. Part spoken word performance, part reverie, part dance, part oral biography, part meditation and psychotherapy, inging is a choreography of the mind, moving in the continuous present. It tracks the velocity of thought through a proprioceptive cascade of words.

  4. Oct 7, 2015 · In inging, Durning speaks, without stopping, without script, for roughly 30 minutes. I first caught wind of inging, “part-spoken word performance, part reverie, part dance, part oral biography, part meditation and psychotherapy”, when Durning performed the work as part of American Realness in 2013.

  5. candoco.co.uk › work › last-shelter-jeanine-durningLast Shelter - Candoco

    Witness intimacy, virtuosity and precision in our latest work from Alpert Award winning New York based choreographer Jeanine Durning. Last Shelter is a performance experiment exploring the enduring human desire to build something together.

    • Jeanine Durning1
    • Jeanine Durning2
    • Jeanine Durning3
    • Jeanine Durning4
    • Jeanine Durning5
  6. A psychosocial experiment, To Being opens to a landscape where radically divergent desires converge and empathy unfolds. To Being is dance as both ontological inquiry and homage, a force against the absolute, the nameable. To Being is a composition of endurance, a sonata of devotion.

  7. People also ask

  8. Jeanine Durning is an Alpert Award winning choreographer, performer and teacher, whose work has been described by The New Yorker as having both “the potential for philosophical revelation and theatrical disaster.”

  1. People also search for