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The conservatory houses an impressive library of manuscripts pertaining to the lives and musical production of composers who lived and worked in Naples, among whom are Alessandro Scarlatti, Pergolesi, Vincenzo Battista, Domenico Cimarosa, Rossini, Bellini, and Donizetti.
Naples began an illustrious legacy producing the finest musicians in the 18th century. Historical information courtesy of Dr. Robert Gjerdingen and the Conservatorio di Musica San Pietro a Majella, since 1826, the successor to the earlier Neapolitan conservatories.
In the mid-16th century, the Spanish throne established church-run conservatories in its vice-realm of Naples. These institutions were on the premises of four churches in the city of Naples: Santa Maria di Loreto, Pietà dei Turchini, Sant'Onofrio a Capuana, and I Poveri di Gesù Cristo.
Feb 7, 2020 · If you approached bystanders on a street corner in sixteenth-century Naples and asked them “What do conservatories conserve?” the likely answers would not have been “performing arts” or “rare plants.” No, you would have been told confidently that conservatories conserved orphans and foundlings.
In the most solemn festivities, musicians were called in addition to the professionals people who served various religious institutes, churches and chapels, and the children of the conservatories were the primary source that can be used.
One of the principal foundations for instrumental music culture in Naples was supplied by the educational system of the Neapolitan conservatories. Rather than a critical investigation of their (well-known) histories, this chapter elucidates an understanding of their cultural, social, and educational identities, forming a holistic portrait of ...
Dec 8, 2015 · According to some estimates, there were seven conservatories and 617 religious institutions (including 248 churches) in mid-seventeenth-century Naples, offering musical education to 368 boys in 1660, a number that later increased.
