Search results
Georg C. Klaren (1900–1962) was an Austrian screenwriter and film director. He worked on a number of screenplays with Herbert Juttke during the silent and early sound eras including Alfred Hitchcock's 1931 film Mary. After the Second World War, Klaren became the head dramaturge at the East German state-owned studio DEFA.
Georg C. Klaren was born on October 9, 1900 in Vienna. He studied philology at the University there and then worked as a journalist and author. He started working as a dramaturg for Vita Film in Vienna in 1922 and then, as of 1925, worked mainly in Berlin.
Georg C. Klaren was born on 10 September 1900 in Vienna, Austria-Hungary [now Austria]. He was a writer and director, known for Kinder vor Gericht (1931), Die Regimentstochter (1953) and Manolescu, der Fürst der Diebe (1933). He died on 18 November 1962 in Sawbridgeworth, England, UK.
- Writer, Director
- September 10, 1900
- Georg C. Klaren
- November 18, 1962
Georg C. Klaren was born on 10 September 1900 in Vienna, Austria-Hungary [now Austria]. He was a writer and director, known for Kinder vor Gericht (1931), Die Regimentstochter (1953) and Manolescu, der Fürst der Diebe (1933).
Sep 10, 2021 · German film by Georg C. Klaren, starring Kurt Meisel, Max Eckard and Helga Zülch The film features an embedded narrative – it begins with medical students looking at a cadaver, Franz Wozzeck. One student recounts the story of Wozzeck with empathy for his suffering, while his peers and instructor regard him as a murderer.
Georg C. Klaren is known as an Writer, Screenplay, Director, Story, Screenstory, and Original Story. Some of their work includes Sex in Chains, Voyage Without Hope, The Hound of the Baskervilles, Der Schritt vom Wege, A Knight in London, Cagliostro, Gloria, and Mordsache Holm.
Klaren used expressionist elements to explore German predispositions to militarism and fascism. Although officials praised the first post-war literary adaptation and used it for re-education in the early postwar years, it disappeared from the screen after the formalism debate in the 1950s.
