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John Hodge (born 1964) is a Scottish screenwriter and dramatist from Glasgow, who adapted Irvine Welsh's novel Trainspotting into the script for the film of the same title. His first play Collaborators won the 2012 Olivier Award for Best New Play.
Actor. IMDbPro Starmeter See rank. John Hodge was born in 1964 in Glasgow, Scotland, UK. He is a writer and producer, known for Trainspotting (1996), T2 Trainspotting (2017) and Shallow Grave (1994). More at IMDbPro. Contact info. Agent info. Resume. Born 1964. Add to list. Nominated for 1 Oscar. 6 wins & 9 nominations total. Known for.
- January 1, 1
- Writer, Producer, Actor
- Glasgow, Scotland, UK
- John Hodge
Jan 21, 2023 · “You write things and get lucky”: In conversation with screenwriter John Hodge - Cherwell. Profile. Discussing Trainspotting, scriptwriting, and the entertainment industry with the BAFTA and Olivier-award winner. By Meg Lintern. 21st January 2023. Although you may not know John’s name, you’ll certainly know his work.
Hodge, a qualified doctor turned screenwriter, freely admits that, 20 years ago, he never even considered there would be another Trainspotting film. “In those days, especially in Britain, you...
Mar 31, 2022 · Original No Time to Die writer John Hodge addresses his exit from the James Bond movie as well as director and frequent collaborator Danny Boyle. The latest film in the long-running spy franchise marked Daniel Craig's fifth and final outing as Ian Fleming's MI6 agent and sees him pitted against maniacal terrorist Lyutsifer Safin as he embarks ...
- Grant Hermanns
Executive Producer. John Hodge (born 1964) is a Scottish screenwriter and dramatist, who adapted Irvine Welsh's novel Trainspotting into the script for the film of the same title. His first play Collaborators won the 2012 Olivier Award for Best New Play. His films include Shallow Grave (1994), Trainspotting (1996) A Life Less Ordinary (1997 ...
Jun 13, 2012 · It took a trio of feature film first-timers—director Danny Boyle, screenwriter John Hodge, and producer Andrew Macdonald—to shake things up, with a movie that, in Boyle’s words, dispensed with “the moral baggage that British films carry around all the time.”
