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  1. en.wikipedia.org › wiki › John_PaesanoJohn Paesano - Wikipedia

    John Paesano (born July 2, 1977) is an American composer working primarily in film, television, and video games. He is known for collaborating with director Wes Ball on the Maze Runner film trilogy and Kingdom of the Planet of the Apes, as well as composing for the Marvel Television series Daredevil and The Defenders.

  2. Apr 23, 2022 · Enter John Paesano, the award-winning composer tasked with this monumental challenge. His scores for the PlayStation Spider-Man games have become some of the most iconic and celebrated in the video game industry, thanks to his unique focus on melodies and storytelling through music.

  3. www.imdb.com › name › nm1373352John Paesano - IMDb

    John Paesano. Composer. Music Department. Soundtrack. IMDbPro Starmeter See rank. John Paesano is an Emmy Award®-nominated and BAFTA-winning composer, producer, conductor, and arranger for film, television, and video games. He studied classical music with Professor Sally Dow Miller of Conservatoire de Paris, and continued his studies at ...

    • January 1, 1
    • Composer, Music Department, Soundtrack
    • Birmingham, Michigan, USA
    • John Paesano
  4. Original Video Game Score by John Paesano.Soundtrack Out Now.Marvel's Spider-Man 2 video game is out now only on PS5.Available now:https://www.playstation.co...

    • 4 min
    • 386.1K
    • MarvelMusicVEVO
  5. 4 days ago · Enter John Paesano, the award-winning composer tasked with this monumental challenge. His scores for the PlayStation Spider-Man games have become some of the most iconic and celebrated in the video game industry, thanks to his unique focus on melodies and storytelling through music.

  6. www.youtube.com › channel › UCHOtEEShVMzvDrEDaAP10iwJohn Paesano - YouTube

    28 subscribers. John Paesano is a composer, producer, conductor, and arranger for film, television, video games and records. John studied classical music with Professor Sally Dow Miller of...

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  8. May 24, 2024 · As Paesano puts it, the score is “supporting” the soundscape and “popping its head up every now and then.”. The design choice was specific to Ball’s vision for Kingdom. Paesano discusses his inspirations, the difference in scoring for apes and humans, and why it was important to parallel Noa’s journey through music.