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Dec 1, 2015 · Rrose personified everything about Duchamp’s art, from its wit and its ersatz aesthetic to its erotic undertones. A living, breathing double entendre, she is a figurehead of New York’s short-lived answer to Dada, the irreverent European art movement with beginnings in Zürich’s Cabaret Voltaire.
- Alexander Hawkins
sex and relationships (833) sex (557) symbols and personifications (7,150) abstract concepts (119) confinement - birdcage (2) ‘Why Not Sneeze Rose Sélavy?‘, Marcel Duchamp, 1921, replica 1964.
Why Not Sneeze, Rose Sélavy? is a 1921 "readymade" sculpture by Marcel Duchamp. Specifically, Duchamp considered this to be an "assisted Readymade", this being because the original objects of which the work is made up had been altered by the artist. [1]
Apr 5, 2024 · Marcel Duchamp had a female alter ego called Rrose Sélavy, who appears in numerous photographs as part of his Dadaist oeuvre.
Henri-Robert-Marcel Duchamp ( UK: / ˈdjuːʃɒ̃ /, US: / djuːˈʃɒ̃, djuːˈʃɑːmp /, [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
Commissioned by his patron, Katherine Dreier, who wished to make a gift to her sister, this readymade is signed with the pseudonym Rrose Sélavy. Marcel Duchamp used this new artistic identity with feminine and Jewish connotations to embody what was then for him the " basis of everything " : Eros is life ( Eros c'est la vie, in French ...
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Marcel Duchamp as Rrose Sélavy. Rrose Sélavy—the female alter-ego of the "daddy of Dada," Marcel Duchamp—looks out at us from beneath the brim of her hat, meeting our gaze with a sad, seductive stare framed by smudged eye liner.
