Search results
Basil Herbert Dean CBE (27 September 1888 – 22 April 1978) was an English actor, writer, producer and director in the theatre and in cinema.
Basil Dean first appeared as an actor on the British stage in 1906. He soon switched careers and began writing and directing plays. Turning to the film industry, he became a producer and director in 1928; many of the films he produced and directed were based on his own stage plays.
- September 27, 1888
- April 22, 1978
Basil Dean is a paradoxical figure in British cinema. Representing a theatrical approach to film-making much despised by modern critics, he is also responsible as producer for some of the most domestically successful films of the 1930s, and for establishing British cinema's two biggest stars of the period, George Formby and Gracie Fields.
Basil Dean first appeared as an actor on the British stage in 1906. He soon switched careers and began writing and directing plays. Turning to the film industry, he became a producer and director in 1928; many of the films he produced and directed were based on his own stage plays.
- January 1, 1
- Croydon, Surrey, England, UK
- January 1, 1
- Westminster, London, England, UK
The Basil Dean Archive contains over fourteen thousand items and covers most aspects of Dean's long and varied career, which spanned almost sixty years. It constitutes one of the most significant archives available for studies of the commercial theatre in Britain from the 1920s to the 1950s, for the development of the British talking picture ...
Basil Herbert Dean CBE was an English actor, writer, producer and director in the theatre and in cinema. He founded the Liverpool Repertory Company in 1911 and in the First World War, after organising unofficial entertainments for his comrades in the army, he was appointed do so officially.
People also ask
Who was Basil Dean?
When did Basil Dean start acting?
Who was Basil Dearden?
Was Basil a bully?
Dec 16, 2013 · In this blogpost, Dr Warden discusses how Basil Dean's 1943 large-scale celebration of the Soviet–British alliance against Nazi aggression marks a fascinating episode in the established narratives of British theatre.