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Erik Axel Karlfeldt. Erik Axel Karlfeldt ( 20. heinäkuuta 1864 Karlbo, Ruotsi – 8. huhtikuuta 1931) oli ruotsalainen runoilija, jolle myönnettiin postuumisti Nobelin kirjallisuuspalkinto 1931. [1] Hänen runoutensa on perinteistä ja kuvaa kotiseutua Taalainmaata . Karlfeldt oli Ruotsin akatemian jäsen.
Jul 20, 1998 · Erik Axel Karlfeldt (born July 20, 1864, Folkärna, Sweden—died April 8, 1931, Stockholm) was a Swedish poet whose essentially regional, tradition-bound poetry was extremely popular and won him the Nobel Prize for Literature posthumously in 1931; he had refused it in 1918, at least in part because of his position as secretary to the Swedish ...
Swedish poet Erik Axel Karlfeldt wrote about nature, love, and life among the peasants of the Scandinavian Peninsula, inspired by his own experiences growing up on a farmstead in rural Sweden. Born Erik Eriksson, at the age of 25 he re-named himself after his home town, to separate himself from his father, who had died in bankruptcy after being ...
- July 20, 1864
- April 8, 1931
Erik Axel Karlfeldt se narodil roku 1864 ve Folkärně v provincii Dalarna ve středním Švédsku jako syn sedláka. Původně se jmenoval Erik Axel Eriksson, ale roku 1889 přijal nové jméno. aby se distancoval od svého otce, který zbankrotoval a dostal se do vězení. Karlfeldt musel ukončit svá studia na univerzitě v Uppsale a živit ...
Karlfeldt (1931) Erik Axel Karlfeldt ( July 20, 1864 – April 8, 1931) was a Swedish poet, posthumously awarded the 1931 Nobel Prize in Literature .
The Nobel Prize in Literature 1931 was awarded to Erik Axel Karlfeldt "The poetry of Erik Axel Karlfeldt". Erik Axel Karlfeldt was awarded the Nobel Prize posthumously. From 1974, the Statutes of the Nobel Foundation stipulate that a Nobel Prize cannot be awarded posthumously. To cite this section. MLA style: The Nobel Prize in Literature 1931.
Erik Axel Karlfeldt: An Evaluation 85 a wife and about settling down and acquiring roots. These echoes reverberate in Fridolins visor and are repeated in Fridolins lustgârd where they are intensified under the pressure of impending middle age. The world of Fridolin is given up, and Karlfeldt's poetry grows darker and more profound.
