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For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. [1] [2] Only the principal, " above the line " editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible.
Jan 2, 2022 · Simple editing executed perfectly. Jaws is the final Steven Spielberg film on our list to win the Best Film Editing Oscar, but, this time, Verna Fields was the editor at the helm. The editing for Jaws became far more complicated during shooting than was expected during pre-production.
Jan 2, 2023 · Best Sound Editing Oscar. 6. The Hurt Locker (2010 Oscars) The Hurt Locker sound clip. Paul N. J. Ottosson and his sound team captured a ton of the disturbing and dismaying sounds on location, making the soundscape of The Hurt Locker very real and raw.
Oscars make up the most-awaited award ceremony for all the artists associated with Hollywood. It is the apt platform, where the efforts of such people are rewarded in the most splendid way. 'Oscar for Best Sound Editing' is granted to a film that has the best or most artistic sound editing or sound design. 'Supervising Sound Editors' of a film ...
Best Sound. Jaws. Robert Hoyt, Roger Heman, Earl Madery and John Carter. Bite the Bullet. Arthur Piantadosi, Les Fresholtz, Richard Tyler and Al Overton Jr. Funny Lady. Richard Portman, Don MacDougall, Curly Thirlwell and Jack Solomon. The Hindenburg. Leonard Peterson, John A. Bolger Jr., John L. Mack and Don Sharpless.
Martin Scorsese. Best Directing winner for The Departed, with presenters Francis Ford Coppola, George Lucas and Steven Spielberg. An Inconvenient Truth. Documentary Feature winner Davis Guggenheim with Al Gore, Lawrence Bender, Laurie David, Scott Burns and Lesley Chilcott. Jennifer Hudson.
Jan 2, 2023 · Sound Mixing Oscar. 16. The Bourne Ultimatum (2007) The Bourne Ultimatum - Bourne Evades Police Scene. The third movie in the Bourne film series, was mixed in Gary Summers, David Parker, Scott Milan, and Bob Beemer’s dub stage. The sound team for this film included Parker, Milan, and Kirk Francis, and they nailed it.
