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  1. In his work, Dewaere was restless and very conscientious, which may have caused his depressed mood. He also had serious drug problems, and it is known that he had been sexually abused as a child. He consolidated his status as a savage and ruthless actor in Alain Corneau ’s cult film Série noire (1979).

  2. Jul 16, 1982 · He was 'a solitary man' given to depression, friends said. He called himself a 'leftover from the May 1968' student revolution which nearly overturned the government of France.

  3. Mar 18, 2023 · In 1977, he attempted suicide by slitting his wrists, which led to his first hospitalization. Dewaere continued to struggle with depression and drug addiction, and his mental health issues began to affect his work. Some producers refused to work with him, and Dewaere was often seen as difficult to work with.

  4. May 19, 2022 · I always thought that nobody would be able to understand who he was, or his suicide, without this key knowledge: Patrick Dewaere was raped repeatedly throughout his early childhood and adolescence. He never recovered from this deep wound. There was also this father whose identity was always hidden from him. Patrick Dewaere never found out who ...

  5. Jan 18, 2022 · In 1982, French actor Patrick Dewaere took his own life at the age of 35, his final years colored by professional success, drug abuse, and deep depression. With his death, Dewaere—who would have been 73 on January 26—left behind a legacy of unparalleled precision and sensitivity as a performer that still awaits proper recognition in the U.S.

  6. Apr 2, 2020 · Patrick Dewaere made his breakthrough in the cinema with his major role in Bertrand Blier’s anarchic comedy Les Valseuses/Going Places (1974). Gérard Depardieu and he played two young rebellious petty thugs who team up with Miou-Miou.

  7. This film reveals the real Patrick Dewaere: raped as a child, pulled out of school by a mother who forces him to become an actor, a teenager estranged from his family and society. A unique destiny blurring boundaries between the cinema and personal ordeals.