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  1. Nov 2, 2023 · Why is the movie called Suspiria? The title derives from to Thomas De Quincey’s 1845 collection of essays entitled “Suspiria de Profundis,” which in short is simply referred to as “Suspiria.”

  2. Oct 5, 2018 · The title Suspiria is derived from the Latin phrase suspiria de profundis, meaning “sighs from the depths.” In 1845, the English author and opium-enjoyer Thomas De Quincey used its...

    • Adam Nayman
  3. en.wikipedia.org › wiki › SuspiriaSuspiria - Wikipedia

    Suspiria is a 1977 Italian supernatural horror film directed by Dario Argento, who co-wrote the screenplay with Daria Nicolodi, partially based on Thomas De Quincey's 1845 essay Suspiria de Profundis.

    • It Is Partially Inspired by A True Story.
    • The Mythology Came from An English Writer.
    • It Was Also Inspired by Fairy Tales.
    • The Characters Were Originally Much Younger.
    • Daria Nicolodi Wanted to Play The Lead.
    • Dario Argento Also Makes A Cameo.
    • The Score Was Innovative.
    • The Iconic Score Was Played on Set.
    • The Lighting Was Innovative, too.
    • It’S The First in A Trilogy.

    Though the phrase “fairy tale” is often thrown out to describe Suspiria’s unique Technicolor horrors, the original seed of the story apparently emerged from something quite real. According to co-writer Daria Nicolodi, her grandmother Yvonne Müller Loeb was once sent away as a young girl to a prestigious boarding school, only to find that Black Magi...

    To add to the overall aura of Suspiria’s menacing witches, Nicolodi and Argento crafted an overarching mythology of the Three Mothers: powerful sorceresses each with their own imposing lair somewhere in the world. The film’s chief villain is Helena Markos, also known as Mater Suspiriorum, the Mother of Sighs. This term, and the overall concept of T...

    With Nicolodi’s initial tale about witches at a finishing school and the Three Mothers concept to anchor the story, Suspiria then needed its distinctive tone. Unsurprisingly when you look at the finished product, Argento and Nicolodi both turned tofairy tales. Nicolodi looked to Alice In Wonderland, Bluebeard, and Pinocchio as she wrote, and Argent...

    Because the film was so heavily influenced by fairy tales, the original screenplay called for the students at the dance school to be very young girls, aged eight to 10. This made producers nervous, not just because of the idea of brutally murdering little girls onscreen—which Argento thought could only improve the horror—but because Argento’s tende...

    In addition to co-writing Suspiria and being Argento’s romantic partner at the time, Nicolodi was also a very accomplished actress. She starred in Argento’s previous film, Deep Red, and when it became clear that adults, not children, would star in Suspiria, she plannedto take a lead role again. Nicolodi initially hoped to play Suzy, the clear star,...

    Suspiria’s opening murder sequence, in which two women are assaulted and brutally killed by a phantom attacker, is one of the most memorable and visually stunning in all of horror cinema. It sets the tone for what’s to come and absolutely assaults the senses. It’s also where you can find Argento’s own cameo appearance. As he did in many of his film...

    To craft the music for Suspiria, Argento turned to the Italian band Goblin, who he’d previously worked with on Deep Red. Argento wanted the score to sound otherworldly, like nothing heard in a film before, so the band developed innovative sounds using a variety of methods. In addition to their standard rock instruments, Goblin brought in African dr...

    Suspiria’s visual delights are enticing and horrifying enough, but the film is absolutely put over the top by its haunting score from Goblin. The band had already composed early versions of many of the themes for the film by the time Argento began shooting, so he opted to play the scoreover loudspeakers on set to create a mood. Because all of the f...

    “With Suspiriawe left the natural behind us in order to achieve a totally artificial style,” cinematographer Luciano Tovoli later said of the film. And indeed his camera does create a sense of unreality, of living in a dark fairy tale world. Argento and Tovoli used numerous techniques to achieve this. Argento, for his part, insisted on keeping the ...

    Because the Three Mothers concept is at the heart of its mythology, Suspiria presented an opportunity to create a loose trilogy of horror films, each focusing on a different Mother in a different location. Argento wasted little time making the second installment. Inferno (1980), his next film after Suspiria, chronicles an encounter with Mater Teneb...

  4. Nov 13, 2018 · Ultimately the legend of the three mothers became the inspiration for three of Argento's films, Suspiria, Inferno, and Mother of Tears. The emotional nature of the mothers mythology itself contributed greatly to the tone of this trilogy of films.

    • Jon Fusco
  5. Oct 10, 2023 · What makes director Dario Argento's Suspiria so important, and so strange? Come along with us as we take a look at this horror classic's decades of mystery.

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  7. Nov 2, 2018 · In 1845, de Quincey wrote Suspiria de Profundis, a collection of musings that were fragmentally published in Scottish magazines. Among these prose fantasies was “Levana and Our Ladies of...

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