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British playwright, screenwriter, director and actor
- Harold Pinter CH CBE (/ ˈpɪntər /; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years.
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A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964) and Betrayal (1978), each of which he adapted for the screen.
Harold Pinter was an English playwright, who achieved international renown as one of the most complex and challenging post-World War II dramatists. He won the 2005 Nobel Prize for Literature.
- The Editors of Encyclopaedia Britannica
Works of Harold Pinter provides a list of Harold Pinter's stage and television plays; awards and nominations for plays; radio plays; screenplays for films; awards and nominations for screenwriting; dramatic sketches; prose fiction; collected poetry; and awards for poetry. It augments a section of the main article on this author.
Dec 24, 2008 · Harold Pinter was a British writer, born in London where he lived his whole life. He grew up in a working-class neighborhood in the Hackney district, the son of Jewish immigrants. World War II and the prevailing anti-Semitic sentiment have characterized his writing.
The Official Harold Pinter Website In 2005, Harold Pinter was awarded the Nobel Prize for Literature, the highest honour available to any writer in the world. In announcing the award, Horace Engdahl, Chairman of the Swedish Academy, said that Pinter was an artist “who in his plays uncovers the precipice under everyday prattle and forces entry ...
Harold Pinter was born in London in 1930. He lived with Antonia Fraser from 1975 until his death on Christmas Eve 2008. (They were married in 1980).
Pinter revolutionised dramatic language through his use of demotic speech. But just as important was his banishment of authorial omniscience: the idea that the writer knows everything there is to know about his characters from start to finish.
