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- Gaddi was an important painter who exercised considerable influence over late 14 th - and early 15 th -century Florentine painting, particularly the work of Lorenzo Monaco and Gherardo Starnina. At the end of his career he worked in Prato cathedral.
www.museothyssen.org/en/collection/artists/gaddi-agnolo
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One of the leading Florentine painters of the late 14th century, Agnolo Gaddi and his brother Giovanni were sons of the painter Taddeo Gaddi, who had been a pupil of Giotto. Agnolo Gaddi is first recorded in Rome in 1369 acting as assistant to his brother in the Vatican.
- The Coronation of the Virgin
Agnolo Gaddi, The Coronation of the Virgin, about 1380-85....
- The Coronation of the Virgin
Biography. Grandson of the painter Gaddo di Zanobi, and son of Taddeo Gaddi — disciple of Giotto (Florentine, c. 1265 - 1337) and one of the leading exponents of Florentine painting in the mid-fourteenth century — Agnolo probably was trained in his father’s shop, and by 1369 he must already have emerged as a recognized master in his own ...
Agnolo Gaddi, The Coronation of the Virgin, about 1380-85. Read about this painting, learn the key facts and zoom in to discover more.
This imposing representation of the Trinity (God the Father, his son Jesus on the cross, and the dove of the Holy Spirit) was painted about 1390 and is probably the center of a triptych. Among the leading painters in late-fourteenth-century Florence, Agnolo’s work, with its pastel colors and delicate modeling, was especially important for ...
Gaddi was an important painter who exercised considerable influence over late 14 th - and early 15 th-century Florentine painting, particularly the work of Lorenzo Monaco and Gherardo Starnina. At the end of his career he worked in Prato cathedral.
Agnolo Gaddi was one of the best representatives of the late Gothic style of the late 14 th century in Florence. From a family of artists, he was the son of Taddeo Gaddi and brother of Giovanni who was also a painter.
Mar 21, 2016 · Mary and Christ recalls the Coronation frescoed by Agnolo Gaddi in the chapel of the Sacro Cingolo in Prato Cathedral,[17]€at least with respect to their close proximity and the arrangement of the wide, undulating folds that furrow their mantles. However, comparison to the cycle of frescoes in Prato, realized with the National Gallery of Art
