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Joseph Wright (born 25 August 1972) is an English film director. His motion pictures include adaptations of Pride & Prejudice (2005), Atonement (2007), Anna Karenina (2012), and Cyrano (2021), the action thriller Hanna (2011), the Peter Pan origin story Pan (2015) [1] and Darkest Hour (2017).
Joe Wright is an English film director. He is best known for Pride & Prejudice (2005), Atonement (2007), Anna Karenina (2012), and Darkest Hour (2017). Wright always had an interest in the arts, especially painting.
- January 1, 1
- 1.75 m
- London, England, UK
Joe Wright is an English film director, best known for directing films such as ‘Pride & Prejudice’ and ‘Atonement.’ Check out this biography to know about his childhood, family, personal life, career, and achievements.
Jul 12, 2017 · In Darkest Hour, Joe Wright brings to life an extraordinary historical moment, when Winston Churchill (played by Academy Award nominee Gary Oldman) must decide whether to pursue a peace treaty with Germany or stand up to the growing Nazi threat. From a screenplay by The Theory of Everything’s Anthony McCarten, Darkest Hour brings forth Wright ...
Highest Rated: 91% Locke (2013) Lowest Rated: 25% The Woman in the Window (2021) Birthday: Aug 25, 1972. Birthplace: London, England, UK. An English director adept in adapting dramatic literature...
Tomatometer®Audience ScoreTitleCredit81%Fresh audience score. 84%Producer85%Fresh audience score. 86%Director25%Rotten audience score. 33%Director88%Fresh audience score. 70%Executive ProducerApr 28, 2023 · BHT asked Joe Wright—who has already beautifully adapted two of the finest British novels ever, Pride & Prejudice and Atonement— why he's drawn to another of his country's major touchstones. The director speaks to BHT about Winston Churchill's world-saving speeches and what made the great man—surprisingly full of doubt—extraordinary.
Feb 22, 2022 · With “Cyrano,” Joe Wright delivers one from the heart—not that he ever makes movies any other way. Lavish, effusive, and disarmingly sincere, all the British director’s best films since 2005’s “Pride & Prejudice” have felt like love letters, written in florid cursive and stained with a romantic’s helpless tears.
