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    • Mexican film director and screenwriter

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      • Arturo Ripstein y Rosen (born December 13, 1943) is a Mexican film director and screenwriter. Considered the "Godfather of independent Mexican cinema", Ripstein's work is generally characterized by "somber, slow-paced, macabre melodramas tackling existential loneliness", often with a grotesque-like edge.
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  2. Arturo Ripstein y Rosen (born December 13, 1943) is a Mexican film director and screenwriter. Considered the "Godfather of independent Mexican cinema", Ripstein's work is generally characterized by "somber, slow-paced, macabre melodramas tackling existential loneliness", often with a grotesque-like edge.

  3. Sep 12, 2023 · That man is Arturo Ripstein, one of the pillars of his nations independent moviemaking throughout the second half of the 20th century. Though he’s never found much acclaim on this side of...

  4. Director: The Beginning and the End. Arturo Ripstein began his career as assistant director (unbilled) of Luis Buñuel in Ángel exterminador, El (1962). His father, Alfredo Ripstein, Jr. produced his first film, a western written by Gabriel García Márquez titled Tiempo de morir (1965).

    • January 1, 1
    • Director, Actor, Writer
    • Mexico City, Distrito Federal, Mexico
    • Arturo Ripstein
    • Personal
    • Credits
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    Full name, Arturo Ripstein Rosen; born December 13, 1943, in Mexico City, Mexico; son of Alfredo, Jr. (a producer) and Frieda (maiden name, Rosen) Ripstein; married Paz Alicia Garciadiego (a writer and composer). Education:Studied film at National Autonomous University of Mexico. Career: Director, producer, writer, and actor. Began career as an ass...

    Film Director:

    Tiempo de morir (also known as A Time to Die), Alameda Films, 1965. "HO," Juego peligroso (also known as Jogo perigoso), Alameda Films, 1966. Los recuerdos del porvenir (also known as Memories of the Future), Alameda Films, 1968. (And producer) La hora de los ninos (also known as The Children's Hour), Cine Independiente de Mexico, 1969. (And producer) Crimen,1970. (And producer) Exorcismo,1970. (And producer) La belleza,1970. (With Rafael Castanedo) El naufrago de la Calle Providencia (docume...

    Film Work; Other:

    Producer, The Crime of Father Amaro, Samuel GoldwynCompany, 2002.

    Film Appearances:

    Dile que la quiero,1963. Raul, Los novios de mis hijas,1964. El dia comenzo ayer (also known as Opus 65), 1965. El camino de los espantos,1965. Le muerte es puntual,1967. Autobiografia,1971. Adriana del Rio, actriz,1979. Rastro de muerte,1981. El amante africano,1985. Himself, Kurosawa: The Last Emperor(documentary), Channel Four Films, 1999. Himself, A proposito de Bunuel (documentary; also known as Speaking of Bunuel and A propos de Bunuel), Wanda Vision, 2000.

    Screenplays:

    La hora de los ninos (also known as The Children's Hour), Cine Independiente de Mexico, 1969. Crimen,1970. Exorcismo,1970. La belleza,1970. Autobiografia,1971. (Adaptor) Cinco mil dolares de recompensa,1972. (With Jose Emilio Pacheco) El castillo de la pureza (also known as Castle of Purity), Estudios Churub busco Azteca, 1973. El santo oficio (also known as The Holy Office), 1974. Foxtrot (also known as The Far Side of Paradise and The Other Side of Paradise), New World, 1975. Lecumberri: El...

    Books:

    International Dictionary of Films and Filmmakers, Volume 2: Directors,St. James Press, 1996.

    Periodicals:

    Film Quarterly,summer, 1999, p. 2.

  5. Over the course of his prodigious and still active career Arturo Ripstein (b. 1943) has remained the most vital, persistent and original filmmaker working within the Mexican cinema. A maverick contrarian, Ripstein has paradoxically flourished within ...

  6. Arturo Ripstein y Rosen (born December 13, 1943) is a Mexican film director. Ripstein got his break into movies working as an uncredited assistant director for Luis Buñuel. In 1965, he directed his first feature, Tiempo de Morir.

  7. Arturo Ripstein is the poet of the dark side of the Mexican bourgeoisie. He tells Mexican stories which involve us all, and he tells them in a highly personal and, at the same time, very Mexican style.

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