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    • La Monte Young

      • The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962.
      www.wikiwand.com/en/Theatre_of_Eternal_Music
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  2. The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962. The first group (1962–1964) of performers consisted of La Monte Young, Marian Zazeela, Angus MacLise, and Billy Name.

  3. He then became known for his pioneering work in drone music (originally called dream music) with his Theatre of Eternal Music collective, alongside collaborators such as Tony Conrad, John Cale, and his wife, the multimedia artist Marian Zazeela.

  4. Dec 3, 2021 · Young’s pioneering explorations of drones eventually led him to form the Theatre of Eternal Music in 1962, a group which consisted of La Monte Young (voice and saxophone) Tony Conrad (violin), Marian Zazeela (voice, lighting,) and John Cale (viola).

  5. The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962. The first group (1962–1964) of performers consisted of La Monte Young, Marian Zazeela, Angus MacLise, and Billy Name.

  6. The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962....

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    • The Avantgarde Cave
  7. In 1962 Young founded his group, The Theatre of Eternal Music, and embarked on The Tortoise, His Dreams and Journeys (1964- ), a large work involving improvisation within strict predetermined guidelines. Young played sopranino saxophone and sang with the group.

  8. Ben Neill, leader of The Theatre of Eternal Music Brass Ensemble, is active both as a trumpeter and composer. He studied Indian classical music and composition with La Monte Young and has led many ensemble performances of Young's work, including for Brass, Composition 1960 #7, and every performance to date of The Melodic Version of The Second ...

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