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  2. All of the episodes were shot at Merton Park Studios in London and on location on monochrome 35mm film. Most of the episodes were presented in the old Academy screen ratio of 1.33:1, whilst a handful of the later episodes were shot in a hard-matted widescreen ratio of 1.66:1.

    • Crime / Drama
  3. Scotland Yard (officially New Scotland Yard) is the headquarters of the Metropolitan Police, the territorial police force responsible for policing Greater London's 32 boroughs. Its name derives from the location of the original Metropolitan Police headquarters at 4 Whitehall Place, which had its main public entrance on the Westminster street ...

  4. Scotland Yard (Film Series)(1953-1961). 39 x half-hour film episodes, filmed at Merton Park Studios. Each episode is introduced by Edgar Lustgarten, and based on a true crime.

  5. Scotland Yard was perhaps the best-known series to emerge from Anglo-Amalgamated’s output of crime drama. Shot as cinema support features at the company’s Merton Park Studios in South Wimbledon, these half-hour thrillers – based on real-life cases from the vaults of London’s Metropolitan Police headquarters – were a successful regular ...

  6. Presented by Nat Cohen and Stuart Levy. Produced by Alec C. Snowden (1953-57, the first 26 episodes) Produced by Jack Greenwood (1958-61, the final 13 episodes) UK Crime series 1953-61 39 episodes x 26-34 min bw. True-life cases from the annals of Scotland Yard Police HQ, London. Introduced by criminologist.

  7. Feb 16, 2022 · The intersection of Great Scotland Yard and Scotland Place is where you’ll find the supposed magical entrance to the Ministry of Magic (you know, with the red phone booth that transports you). We see it in both the Order of the Phoenix and Deathly Hallows Part 1 (when the gang mobs those poor innocent workers and steals their identities for a ...

  8. All of the episodes were shot at Merton Park Studios in London and on location on monochrome 35mm film. Most of the episodes were presented in the old Academy screen ratio of 1.33:1, whilst a handful of the later episodes were shot in a hard-matted widescreen ratio of 1.66:1.

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