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International Gothic sensibility
- Unlike the naturalistic trends arising in Florence during his lifetime, Crivelli's style continues to represent the courtly International Gothic sensibility. His urban settings are jewel-like and full of elaborate allegorical detail.
www.wikiart.org/en/carlo-crivelli
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He painted in tempera only, despite the increasing popularity of oil painting during his lifetime, and on panels, though some of his paintings have been transferred to canvas. His predilection for decoratively punched gilded backgrounds is one of the marks of this conservative taste, in part imposed by his patrons.
Carlo Crivelli (born c. 1430/35, Venice [Italy]—died c. 1494/95, Ascoli Piceno, Marche) was probably the most individual of 15th-century Venetian painters, an artist whose highly personal and mannered style carried Renaissance forms into an unusual expressionism.
- The Editors of Encyclopaedia Britannica
Unlike the naturalistic trends arising in Florence during his lifetime, Crivelli's style continues to represent the courtly International Gothic sensibility. His urban settings are jewel-like and full of elaborate allegorical detail.
- Italian
- Venice, Italy
Aug 21, 2022 · Art historians typically characterize Crivelli’s art as International Gothic, a style favored in European royal courts of the later Middle Ages. Whether in altarpieces or illuminated manuscripts, International Gothic is characterized by copious decoration, bright colors, and lots of gold.
- Alexandra Kiely
Venetian painting up to this point had been dominated by the Late Gothic style, such as that of Jacopo Bellini and his son Gentile. Crivelli was a fine technical painter and his pictures are in a good state of preservation. He had a strong linear decorative sense and was a brilliant colourist.
Crivelli built up its decorative surface with care. He then added gold leaf and shaded it with paint to suggest stitching. Crivelli’s paintings bristle with embossed ornament. Sculpted from gesso in low relief, simulates the texture of rich velvet brocades, elaborate armor and precious metalwork.
His paintings are all of religious subjects, done in an elaborate, old-fashioned style that owes much to the wiry Paduan tradition of Squarcione and Mantegna and yet is highly distinctive, with a rich vein of fantasy.
