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    • Oil paints

      • Though he is best known for his oil paints, he is also considered one of the founders of English watercolor landscape painting. His famous works include Dido Building Carthage (1815), The Grand Canal, Venice (1835), Peace - Burial at Sea (1842) and Rain, Steam and Speed (1844).
      www.biography.com/artist/jmw-turner
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  2. Turner is perhaps the best-loved English Romantic artist. He became known as 'the painter of light', because of his increasing interest in brilliant colours as the main constituent in his landscapes and seascapes. His works include water colours, oils and engravings.

  3. Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner, [a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings.

  4. Apr 2, 2014 · J.M.W. Turner was a British landscape painter of the 18th and 19th centuries whose work is known for its luminous, almost abstract quality.

  5. Tate Britain is home to the largest collection of works by Joseph Mallord William Turner (1775–1851). Described as the ‘father of modern art,’ Turner shocked with his unique brushwork and use of colour. His portrayals of the modern world were unlike any seen before.

  6. J.M.W. Turner remains one of Britain’s most admired artists through his achievements in both oils and watercolours. At the beginning of the 19th century, he came to prominence at the same time as John Constable, John Crome, John Sell Cotman, Peter De Wint and David Cox, in an era when landscape as a genre was achieving a new status and ...

  7. J.M.W Turner (the J.M.W stands for Joseph Mallord William by the way), was born in London in 1775. His dad was a barber, but Turner always knew he wanted to be an artist. When he was just 14 years old he became a student at the Royal Academy of Art in London.

  8. Turner began exhibiting watercolours at the Royal Academy’s Annual (Summer) Exhibition in 1790, soon after joining the RA Schools. In 1796 he exhibited his first oil painting and in 1799, aged just 24, he was elected an Associate Member of the Royal Academy. He became a full Academician in 1802.

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