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American folk music revival. Singer-songwriter Woody Guthrie emerged from the dust bowl of Oklahoma and the Great Depression in the mid-20th century, with lyrics that embraced his views on ecology, poverty, and unionization, paired with melody reflecting the many genres of American folk music. The American folk music revival began during the ...
Folk Revival. The great folksong revival of the 1940s through 1960s made rural white and African American artists and their music favorites of audiences everywhere. While key figures associated with the American folksong revival, such as Pete Seeger, Joan Baez, Alan Lomax, and Moses Asch, were white, the music traditions on which they drew were ...
- How and Why Did The Folk Revival Happen?
- Who Are Some Important Artists from The 1960s Folk Revival?
- How Did Folk-Rock Emerge from The 1960s Folk Revival?
- What About The '60s Protest Song Movement?
- Is The Folk Revival Over?
There were a lot of things that conspired to influence the folk music revival of the 1960s, but three major influences can be highlighted. 1. The Folklorists: During the early 20th Century, folklorists headed out across the country in hopes of documenting the musical styles traditional to various communities. John Lomax, for example, focused on doc...
Although the blues, Cajun music, and other styles were definitely involved in the revival, as stated above, the '60s folk revival can be separated into two most prominent camps: the singer/songwriters and the old timers/traditionalists/bluegrass pickers. Here are some important singers and songwriters: Bob Dylan Phil Ochs Pete Seeger Joan Baez Dave...
It can be argued that folk-rock started with the Weavers, who started the folk-pop movement. Eventually, the advent of folk-pop, and the influence (and popularity) of rock bands like the Beatles, helped inspire folk revivalists to experiment with folk-rock. However, it can also be argued that it all began when Bob Dylan went electric at the Newport...
The 1960s were a turbulent time in American history. The Civil Rights Movement, which had been stewing for some time, came to a head. The Cold War was at its height. The United States was going from a turbulent war in Korea to another in Vietnam. And, with the baby boom generation coming of age, there was a lot of change in the air. Some of the gre...
Hardly. Some people only think of folk music in the context of the 1960s, but, hopefully, the information on this Web site will convince them otherwise. American folk music has spanned the entire history of the country, although its popularity does fluctuate (as does the popularity of pretty much everything). As we venture further into the 21st cen...
Folk Revival. The great folksong revival of the 1940s through 1960s made rural white and African American artists and their music favorites of audiences everywhere. While key figures associated with the American folksong revival, such as Pete Seeger, Joan Baez, Alan Lomax, and Moses Asch, were white, the music traditions on which they drew were ...
Probably the most influential and productive of these revivals took place in the early 1960s, about the same time as rock and roll became such a towering force in American music, and to some extent as a reaction to rock’s commercial dominance. Later, of course, musicians would find ways to merge the two strands.
American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. [ not verified in body ] The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new.
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What was a result of a folk revival?
What is American folk music revival?
When was the Great folksong revival?
What was a great folksong revival of the 1940s through 1960s?
The United States experienced two waves of folk-song revival activity a little more than twenty years apart, between the late 1930s and the early 1960s. In each case, what could be called traditional American music was reinterpreted and transformed with the help of the sort of "urban elite or priviledged class" mentioned by Ralph Rinzler above.
