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  1. Sep 23, 2020 · A feature film with a mightily twisted narrative mechanism (based on the novel Betrayal by Swedish writer Karin Alvtegen) and with a false bottom recalling the cinema of Claude Chabrol, launched in French cinemas on 23 September by SND and starring Karin Viard once again majestic in the lead role.

  2. With Karin Viard, Benjamin Biolay, Lucas Englander, Laetitia Dosch. In this psychological thriller, a ridiculed French woman in Vienna seeks to avenge her honor while concealing her efforts from the bourgeois community of fellow expatriates, where lies and slander reign.

    • (822)
    • Crime, Drama, Thriller
    • Marc Fitoussi
    • 2020-09-23
  3. This is a list of genres of literature and entertainment (film, television, music, and video games), excluding genres in the visual arts. Genre is the term for any category of creative work, which includes literature and other forms of art or entertainment (e.g. music)—whether written or spoken, audio or visual—based on some set of ...

  4. Appearances (Les Apparences) is a French-Belgian film directed by Marc Fitoussi. It is based on the novel Svek by Karin Alvtegen-Lundberg . Eve and Henri are a French married couple, apparently happy with a common son living in Vienna.

    • (865)
    • SND
    • Marc Fitoussi
  5. Genre Thriller | Psychological Thriller Synopsis In this psychological thriller, a ridiculed French woman in Vienna seeks to avenge her honor while concealing her efforts from the bourgeois community of fellow expatriates, where lies and slander reign. Critics' reviews

  6. Expressionism is a modernist movement in drama and theatre that developed in Europe (principally Germany) in the early decades of the 20th century and later in the United States. Anti-realistic in seeing appearance as distorted and the truth lying within man.

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  8. Feb 15, 2018 · In Personal Style Blogs: Appearances That Fascinate, Rosie Findlay analyses the development of personal style blogs from their early origins, situating this sub-genre of fashion blog within a ‘lineage of feminine sociality’ as a personal actor-based practice of mediated dressing.

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