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      • Friedlander, as many followers of photography know, is a documenter of the “social landscape”: towns, cities, buildings, roads, open spaces, and the ways people use them or are frustrated by them.
      commonedge.org/the-social-landscapes-of-lee-friedlander/
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  2. Sep 2, 2010 · Friedlander’s road pictures taken over the past decade are about three things central to his life: the American people, the landscape, and photography.

  3. Lee Friedlander is an American photographer known for his asymmetrical black-and-white pictures of the American “social landscape”—everyday people, places, and things. Friedlander’s interest in photography struck when he was 14. He studied briefly at the Art Center School in Los Angeles before.

  4. Working primarily with hand-held Leica 35 mm cameras and black-and-white film, Friedlander's style has focused on the "social landscape." His photographs used detached images of urban life, store-front reflections, structures framed by fences, and posters and signs all combining to capture the look of "modern life."

  5. Mar 24, 2018 · In the 1960s and 70s, the photographer Lee Friedlander took his family on summer road trips. Along the way, he took pictures that established him as one of the most acute, celebrated, modern chroniclers of America.

  6. Dec 31, 2009 · Friedlander also loves the road, and while many of his self-portraits (and mirrors) are in domestic and other interiors, he’s most characteristically a road-trip photographer, framing views through the car window or on small-town sidewalks.

  7. Friedlander's style - featuring street signs, incredulous shadows and self-reflections, public monuments, nudes, and, later, even landscapes - would bring a disquieting quality to what was ostensibly familiar.

  8. Driving across most of the country’s fifty states in an ordinary rental car, master photographer Lee Friedlander (b. 1934) applied the brilliantly simple conceit of deploying the sideview mirror, rearview mirror, the windshield, and the side windows as picture frames within which to record reflections of this country’s eccentricities and ...

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