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Kurt Vonnegut was disappointed in America
- Kurt Vonnegut was disappointed in America. "I'm sorry that America isn't a greater success than it is," he told me in 1991. "Because we're so wealthy and we really could have done almost anything. And we've done so very little in comparison to what we might have done in creating an ideal society."
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Nov 11, 2022 · Kurt Vonnegut Was Not A Happy Man. 'So It Goes.' Like the novel's hero, Vonnegut was an American POW, imprisoned in a Dresden Slaughterhouse during the air raid.
Nov 11, 2022 · Like the novel's hero, Vonnegut was an American POW, imprisoned in a Dresden Slaughterhouse during the air raid. Afterward, he was forced to remove decaying bodies from flooded basements around the city. Vonnegut said the experience left an indelible impression.
Nov 11, 2022 · Kurt Vonnegut was disappointed in America. "I'm sorry that America isn't a greater success than it is," he told me in 1991. "Because we're so wealthy and we really could have done almost...
Nov 11, 2022 · Like the novel's hero, Vonnegut was an American POW, imprisoned in a Dresden Slaughterhouse during the air raid. Afterward, he was forced to remove decaying bodies from flooded basements around the city. Vonnegut said the experience left an indelible impression.
Nov 7, 2020 · Vonnegut imagines the thoughts of visitor from another planet on the American people in 1972. “The two real political parties in America are the Winners and the Losers. The people do not acknowledge this. They claim membership in two imaginary parties, the Republicans and the Democrats, instead. “Both imaginary parties are bossed by Winners.
Through his fiction, Vonnegut argued that the literary arts have a special place in the national conversation about difficult, anxiety-producing issues. This paper will attempt to dissect the aforementioned anxieties of war found in a selection of Vonnegut works, beginning with the
Oct 13, 2022 · The absolute refusal to accept handed-down truths—whether in politics, science, religion or art—was a constant in Kurt Vonnegut’s life and work.
