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Italian Renaissance painter
- Carlo Crivelli (c.1430 – c.1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, [ 1 ] who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna.
en.wikipedia.org/wiki/Carlo_Crivelli
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Carlo Crivelli (c. 1430 – c. 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, [1] who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna.
Apr 1, 2022 · Previously sidelined and misrepresented within the discipline of art history, his highly distinctive style resisted dominant pictorial ideals at the time, and his works defy stylistic categorisation. One thing, though, is for certain: Crivelli was an artist who did not play by the rules.
Carlo Crivelli (born c. 1430/35, Venice [Italy]—died c. 1494/95, Ascoli Piceno, Marche) was probably the most individual of 15th-century Venetian painters, an artist whose highly personal and mannered style carried Renaissance forms into an unusual expressionism.
- The Editors of Encyclopaedia Britannica
Carlo Crivelli. Crivelli was born in Venice and probably trained with Squarcione in Padua. He spent most of his life in the Marches (eastern central Italy), after periods in Venice and Zara. Crivelli was active as a painter by 1457 when he was condemned in Venice for adultery.
Aug 21, 2022 · Fifteenth-century Italian painter Carlo Crivelli stands out for his dazzling combination of Medieval decoration and Renaissance naturalism. His religious paintings are full of illusionistic textures and clever visual tricks.
- Alexandra Kiely
Carlo Crivelli ( Venice c. 1430 – Ascoli Piceno 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione and Mantegna.
Feb 26, 2024 · We are never likely to run out of Renaissance paintings of the Annunciation, or the Madonna and Child, but Crivelli makes his subjects and his symbols multi-task, as in the enormous masterpiece The Annunciation with Saint Emidius of 1486.
