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New wave is a music genre that encompasses pop -oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture ". [4] It was originally used as a catch-all for the various styles of music that emerged after punk rock. [30] [31] Later, critical consensus favored "new wave" as an umbrella ...
Punk / New Wave. Punk Rock returned rock & roll to the basics -- three chords and a simple melody. It just did it louder and faster and more abrasively than any other rock & roll in the past. Although there had been several bands to flirt with what became known as punk rock -- including the garage rockers of the '60s and the Velvet Underground ...
May 29, 2024 · New wave, category of popular music spanning the late 1970s and the early 1980s. Taking its name from the French New Wave cinema of the late 1950s, this catchall classification was defined in opposition to punk (which was generally more raw, rough edged, and political) and to mainstream “corporate”
- Stephen Seddon
- Elvis Costello, ‘My Aim is True’ Melding the swagger of 1950s rock’n’roll with the raw energy of punk, Elvis Costello’s 1977 debut encapsulates the spirit of new wave.
- Television, ‘Marquee Moon’ (1977) Advertisement. Along with the Ramones and Blondie, Television made their name playing at the New York dive venue CBGB – and from the beginning they stuck out from the crowd they ran in.
- The Cars, ‘The Cars’ (1978) The Cars’ first single ‘Just What I Needed’ name-checked both the Velvet Underground (the lyric “wasting all my time-time” references their song ‘Sister Ray’) and bubblegum outfit Ohio Express – and it’s indicative of the group’s approach as a whole.
- Blondie, ‘Parallel Lines’ (1978) Pre-’Parallel Lines’, Blondie were possibly New York City’s most tuneful punks, embracing everything from doo-woppy French yé-yé and 60s pop to the rhythmic pulse of disco.
- Elvis Costello: My Aim is True (1977) Costello’s debut album bridged the gap between the roiling punk energy of the mid-70s and the staid tradition of literate, intimate, popular songwriting that traces from the Gershwins, Berlin and Porter to Buddy Holly and Lennon/McCartney.
- Talking Heads: Remain in Light (1980) For their fourth and finest record, the Talking Heads (along with producer/collaborator/all-around musical badass Brian Eno) trotted out their African influences in full force.
- The Smiths: The Queen Is Dead (1986) If “How Soon Is Now” off The Smiths’ previous album was the starting-pistol shot announcing their intentions to delve into darker territories, then the title track off The Queen Is Dead was rhythmic strafing to the same effect.
- Blondie: Parallel Lines (1978) The wondrous pop, rock and disco songs on Parallel Lines weren’t supposed to exist on one single album. To imagine it is to put “The Loco-Motion,” “I Wanna Be Your Dog” and “Staying Alive” on a mixtape and pronounce it a band.
Punk rock (also known as simply punk) is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll [2] [3] [4] and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down ...
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May 21, 2023 · By the time the mid-80s rolled around, new wave artists had become the establishment that punk had sought to destroy. Ironic, sure, but worth it: this is a genre that gave us some of the most memorable pop hits of all time. From escaping punk's shadow to dominating MTV and beyond, here is the story of new wave in five essential albums.
