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Though, "Burnt by the Sun" is way better than Mikhalkov's pompous "Barber of Siberia", which was alloted more money than any other film in the history of Russian cinema. In "Burnt by the Sun", Mikhalkov was able to give us a palpable feeling of the beauty and genius of Russia.
There are only differences in marking the specific point in time. Personally for me it is "The Barber of Siberia". After deep and psychological "BBTS" M. filmed just an entertaining story with no ideas.
Oct 22, 2001 · Mikhalkov followed the triumph of “Burnt by the Sun” with the expensive epic “The Barber of Siberia.” But while “Burnt by the Sun” was greeted with critical acclaim and awards, “The Barber of Siberia” debuted in Europe in 1999 to overwhelmingly negative reaction.
Burnt by the Sun. In the USSR in 1936, shadows of Stalin's repressions fall on a famous, revolutionary hero. The accusations of him being a foreign spy are nonsense, and everyone knows that. However, a slow process of his downfall has already started.
- (16K)
- Drama, War
- Nikita Mikhalkov
- 1995-04-21
Dec 28, 2010 · Mr. Mikhalkov, who is also an actor, won an Oscar for his 1994 “Burnt by the Sun,” about the elite in Stalin-era Russia. He played Czar Alexander III in “Barber of Siberia,” his 1998 try at a...
Feb 8, 2020 · This anti-Western position is especially evident in his later film, The Barber of Siberia (1998). 9. In Imperial Trace: Recent Russian Cinema, Nancy Condee argues that Mikhalkov’s films create an illusion of ‘elite cohesion’, in which the prerevolutionary country estate is indistinguishable from the Soviet dacha (p. 85).
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In The Barber of Siberia, he looks back at pre-revolution Russia to find moral integrity and individual and collective identity. In Burnt by the Sun, he makes it possible for the viewer to accept the suppressed past, emphasizing how much humanity and love continued to exist even in the time of terror.
