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    • Image courtesy of fundacioncoam.org

      fundacioncoam.org

      • Well-known for his distinctive use of materials, landscape and history, Scarpa approaches architecture through the experience of building materials and their sensory properties. Scarpa’s work merits careful attention, for he more than any other modernist architect celebrated ornament and decoration.
      atelierdavis.com/carlos-scarpa-modernism-in-detail/
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  2. 2 days ago · For the city that somehow manages to overcome a million clichés does indeed reveal a rich Modernist seam. It is the work of architect Carlo Scarpa, who over his lifetime made a series of ...

  3. en.wikipedia.org › wiki › Carlo_ScarpaCarlo Scarpa - Wikipedia

    Scarpa studying the drawings of Frank Lloyd Wright in Venice, 1954. Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect and designer. He was influenced by the materials, landscape, and history of Venetian culture, as well as that of Japan. [1]

  4. May 17, 2023 · Scarpa’s interest in Japanese architecture can be seen in the adjoining meditation pavilion which is surrounded by pools filled with water lilies. Christina Makris goes in search of the work of the architect renowned for marrying traditional craftsmanship to modernist details.

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    • Renovation of The Fondazione Querini Stampalia
    • Renovation For The Museo Civico Di Castelvecchio
    • Olivetti Showroom
    • Brion Tomb and Sanctuary
    • Private Homes

    Fondazione Querini Stampaliawas established in 1869 by Count Giovanni Querini, the last descendant of the Querini Stampalia family. It used to be a family home for the prominent Venetian Querini Stampalia family. The foundation is a cultural institution, presenting the works of art from the family’s collection, as well as supporting and exhibiting ...

    The museum, based in a huge medieval castle, was renovated between 1958 and 1974. In his design Scarpa made numerous decisions balancing the old and the new. He removed some of the layers added to the castle during its long history to establish an authentic historical experience. He used the “new” to bring out the best in the historical. The interi...

    While starting his work on Museo Civico di Castelvecchio, Adriano Olivetti of the famous Olivetti company, approached Scarpa to design the company’s showroom. The location could not be more prestigious – Piazza San Marco in Venice. Scarpa opened the long space to the exterior with windows. He used the best materials in a masterful way. We see a per...

    Onorina Tomasi Brion, a widow of the founder of the Brionvega company, commissioned the Brion Tomb and Sanctuary in 1968. It is such a unique project that we will let Scarpa talk about it in his own words: Here, Scarpa expertly contrasts the severity of concrete with the softness of nature, also adding the calming fluidity of water. After Scarpa di...

    So far we have seen Scarpa’s renovations and more public designs, but he dabbled in more private commissions as well. He designed several private residences. In those designs, while he remains faithful to his love of materials and the interplay between them, he also uses color more radically. Furthermore, he unleashes the full power of his imaginat...

  5. Jun 2, 2019 · One of the most enigmatic and underappreciated architects of the 20th century, Carlo Scarpa (June 2, 1906 – November 28, 1978) is best known for his instinctive approach to materials,...

    • Is Scarpa a modernist architect?1
    • Is Scarpa a modernist architect?2
    • Is Scarpa a modernist architect?3
    • Is Scarpa a modernist architect?4
    • Is Scarpa a modernist architect?5
  6. Apr 9, 2024 · Carlo Scarpa was a visionary Italian architect influenced by Venetian culture and known for integrating craftsmanship and artistry in his designs. His architecture is distinguished by the innovative use of materials, meticulous attention to detail, and harmonious blend of historic and modern elements.

  7. For much of his career a figure isolated and detached from the mainstream, Carlo Scarpa was recognized only after his death as one of the great architects of the 20th century. His work does not fit easily into standard genealogical accounts of modernist architecture.

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