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Apr 3, 2013 · For Bill Blakemore, the subject of Kubrick’s “Masterpiece of Modern Horror” is the genocidal slaughter of Native Americans by white European settlers; for Geoffrey Cocks, it’s about the Holocaust in Nazi-dominated Europe; for Juli Kearns, it’s an exploration of an impossible, Escher-like maze called the Overlook Hotel.
- Bewitched
There’s no room for them to move. Yes, Jack becomes a nicer...
- The Shining
Danny: Is he reliable? He has an imaginary friend named...
- Bewitched
Mar 28, 2013 · Whether or not The Shining is widely intelligible as a movie about the Holocaust, Room 237 makes it amply apparent that Kubrick was attempting to infuse King’s novel—which might otherwise be...
Kubrick's unrealized project about the Holocaust, Aryan Papers, suggested to another critic that The Shining is really about that genocide. He connects Jack's sinister recitation of the Big Bad Wolf 's refrain to a Disney production where the wolf is an anti-Semitic caricature .
Mar 17, 2013 · It’s Really About the Nazi Holocaust. Theorist: Geoffrey Cocks, professor of history, Albion College, Michigan. Theory: The film is an allegory about coming to terms with Hitler’s extermination...
- Movie Critic
Jan 29, 2012 · It’s really about the Holocaust, one interviewee says, and Mr. Kubrick’s inability to address the horrors of the Final Solution on film. No, it’s about a different genocide, that of American...
Sep 20, 2012 · The Holocaust? These are just a few of the explanations offered by the critics, theorists, theologians, historians, journalists, filmmakers and fans in this documentary.
Mar 27, 2013 · Stanley Kubrick’s longtime assistant, Leon Vitali, says various theories about hidden meanings in “The Shining,” proposed in the documentary “Room 237,” are just “balderdash.”