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      • Rebel Without a Crew (1995) is a captivating memoir that takes readers on a wild journey through the making of Robert Rodriguez's first feature film on a shoestring budget. Here's why this book is worth reading: Full of inspiring tales and invaluable filmmaking tips, it offers a rare glimpse into the creative process behind an indie movie.
      www.blinkist.com/en/books/rebel-without-a-crew-en
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  2. Aug 1, 1995 · In Rebel Without a Crew, famed independent screenwriter and director Robert Rodriguez (Sin City, Sin City 2, Once Upon a Time in Mexico, Spy Kids) discloses all the unique strategies and original techniques he used to make his remarkable debut film, El Mariachi, on a shoestring budget.

  3. Rebel Without a Crew (subtitle: Or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player) is a 1995 non-fiction book by Robert Rodriguez. The book chronicles the origin, production and eventual success of Rodriguez's debut feature, a 1992 crime thriller called El Mariachi.

  4. Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget.

    • (880)
    • Robert Rodriguez
  5. Sep 6, 2022 · "Rebel Without a Crew" is more than just a captivating memoirit's a treasure trove of insider knowledge for aspiring filmmakers. Rodriguez generously spills the beans, providing a roadmap for those seeking to emulate his success.

  6. Rebel Without a Crew is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through.

    • (886)
    • Robert Rodriguez
  7. Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player. Robert Rodriguez. Penguin, Sep 1, 1996 - Biography & Autobiography - 320 pages.

  8. In the world of American independent film-making, no one has landed on the cinema map with more explosive force than Robert Rodriguez did with El Mariachi. And he did so with only one camera, no...

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