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- Though it received numerous favorable reviews from critics, Thirteen generated some controversy for its depiction of youth drug use (including inhalants, marijuana, LSD and alcohol), underage sexual behavior, and self-harm.
en.wikipedia.org/wiki/Thirteen_(2003_film)
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Explicit peer pressure story for older teens. Read Common Sense Media's Thirteen review, age rating, and parents guide.
- Reviews
Movie about teens but NOT for teens whatsoever. - Young 13...
- Risky Business
Parents need to know that Risky Business is a dark 1983 teen...
- Reviews
Honor student Tracy Freeland (Evan Rachel Wood) has a troubling home life, but she is close to her mother, Melanie (Holly Hunter). While trying to conceal her inner turmoil by excelling ...
- (155)
- Catherine Hardwicke
- R
- Holly Hunter
Aug 29, 2003 · David D. Williams’ “Thirteen” (1997) tells the story of a 13-year-old African-American girl named Nina, who runs away from home and causes much concern for her mother, neighbors and the police before turning up again.
May 15, 2022 · In reality, the film isn’t all that raunchy. It’s simply the thematic juxtaposition that puts itself in that place, and that shows so much talent both in the writing and the production. If you’re itching to find a great indie drama you may have forgotten, maybe give Thirteen a watch.
The bottom line is, "Thirteen" is a great, realistic, disturbing urban drama that you should watch with an open mind and with knowledge that it is based in fact. This is a challenging and brave film, and everyone involved has gained immediate respect from me. One of the best of 2003. 8/10.
Thirteen is a 2003 drama film directed by Catherine Hardwicke, written by Hardwicke and Nikki Reed, and starring Holly Hunter, Evan Rachel Wood and Reed with Jeremy Sisto, Brady Corbet, Deborah Kara Unger, Kip Pardue, Sarah Clarke, D. W. Moffett, Vanessa Hudgens (in her film acting debut), and Jenicka Carey in supporting roles.
Aug 4, 2000 · “Thirteen” plays for one week, starting today, at Facets Cinematheque, 1517 W. Fullerton. Then it disappears again into the wilderness outside the studio system. The film is not angry, experimental or confrontational, and no more fits into the underground or “indie” categories as in the mainstream.
