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Dec 13, 2019 · God never replies; the camera prowls the line of closed, blank cell doors; the real priest-martyr, Father Franz Reinisch, whose example strengthened the real Franz Jägerstätter, does not appear.
In portraying the priest’s spiritual affliction as a dirge of unearned anguish, Malick disregards the observation he made at the outset of his career that “suffering can make you shallow and just the opposite of vulnerable, dense.”
Dec 12, 2019 · Jägerstätter’s spiritual convictions, Malick seems to reaffirm with every shot, were inextricable from the material privations and emotional riches that constituted his everyday reality.
Dec 29, 2019 · Even when his films are not explicitly spiritual on the forefront, many seem to have a grander focus on portraying some sort of paradise being lost and the resulting internal journey. His newest film, A Hidden Life, is the film in his long career that perhaps exemplifies both of these aspects best. The film tells the true story of Franz ...
Apr 1, 2016 · Later on, James is comforted by a priest who tells him that God "shows his love not by helping you avoid suffering, but by sending you suffering.... That's a gift more precious...
Mar 10, 2016 · Malick affirms the Christian distinctiveness of the concept in a church scene: “Is there nothing which is deathless, nothing which does not pass away?,” the preacher asks the congregation, and the camera pans on a stained glass portrait of Jesus Christ.
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Sep 19, 2019 · Ultimately, it seems that with A Hidden Life, Malick's view is that for those who claim to believe in justice, and in a God who is just and merciful, the only way to truly live...
