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Sep 7, 2011 · One man was in the unique position of being responsible for both: Joseph Bishara, who played that red-face specter and created the music. With that score now announced for release on CD and vinyl on Bishara’s own Void Recordings label, Fango spoke to Bishara and director James Wan about these double-threat duties.
- Michael Gingold
After an early influence of classical music, Bishara began experimenting with electronic and experimental music, becoming interested in Tangerine Dream. He became engrossed in horror film scores after watching the silent film The Cabinet of Dr. Caligari of 1920 and the 1922 horror classic Nosferatu. [1]
Apr 25, 2018 · The 47-year-old American composer truly is a master of horror, and his many projects with the genre’s biggest names in recent years – James Wan, Jason Blum, Darren Lynn Bousman – continue to develop his own universe and are a passage towards his dark, experimental musical world.
Sep 20, 2021 · Scored to Death: Conversations with Some of Horror’s Greatest Composers author, J. Blake Fichera, recently sat down with Malignant composer [and longtime Wan collaborator] Joseph Bishara to discuss his latest score for FANGORIA.
It takes talent & a refined sense of how music works to put together a unique score combining elements ranging from punk to industrial to classical. Joe understands these all, which lends to the unique aesthetic evident in his work.
After an early influence of classical music, Bishara began experimenting with electronic and experimental music, becoming interested in Tangerine Dream. He became engrossed in horror film scores after watching the silent film The Cabinet of Dr. Caligari of 1920 and the 1922 horror classic Nosferatu. [1]
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Sep 25, 2011 · Joseph Bishara is the composer for films like “Insidious” and the upcoming “11-11-11”. Media Mikes had a chance to chat with Joseph about working in the horror genre and about his recent projects.
