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I first encountered Nahum Tate’s adaptation of King Lear when studying the play for A level. The revelation that Tate had altered the text to provide a happy ending provoked laughter from the class; Tate was set aside with Bowdler as ridiculous and inconsequential.
Tate was writing in the decades immediately following the Restoration of the monarchy. In 1680, the year prior to his adaptation of Lear, he had adapted Richard II — a play depicting the deposition of the king. His attempts were suppressed twice on political grounds.
Although Tate's Lear is a flawed character, he is guilty of a lesser crime than his predecessors in Quarto and Folio King Lear, his disappointment for the outcome of the love trial being partly justified by Cordelia's ulterior motives.
In 1681, Thomas Betterton played Tate's version of King Lear (The History of King Lear), [4] in which the Fool is omitted. Cordelia has a confidante named Arante, and has her own "abduction" scene on the heath.
Nahum Tate’s rewriting of King Lear emphasizes the popular performances at the Duke’s Theater and the “alterations” Tate made to Shakespeare’s tragedy. In 1681, playwright Nahum Tate revised Lear, restoring the happy ending of the historical chronicles, among many additional changes and cuts.
Nahum Tate's King Lear. After the Restoration, in the latter part of the 17th century, King Lear was to be seen on the stage only in the adapted form devised by Nahum Tate. This version held the stage from 1681 to 1838. Tate famously described Shakespeare's original as: "a heap of jewels unstrung and unpolished".
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In 1681, Nahum Tate adapted Shakespeare's King Lear. Tate's version, which replaced Shakespeare's original until well into the nineteenth century, features a happy ending.